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Griffith Masterworks 2

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Griffith Masterworks 2 (Way Down East / D.W. Griffith: Father of Film / The Avenging Conscience / Abraham Lincoln / The Struggle / Sally of the Sawdust) (5D)
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Directed byD.W. Griffith
CastLillian Gish, Walter Huston, W.C. Fields, Carol Dempster and Richard Barthelmess
DVD ReleaseNovember 18, 2008
Running Time695 minutes
MPAA RatingUnrated
UPC Code738329064525
Buy this item$80.99 at Amazon.com
As of Dec 2 21:35 EST (details)
5 DVD, KINO INTERNATIONAL, Usually ships in 24 hours, Box set, Black & White, Color, DVD-Video, NTSC
Languages: English (Original Language)
Or 19 new from $55.77, 3 used from $61.81
 

About Griffith Masterworks 2

THIS SPECIAL EDITION 5 DVD BOXED SET INCLUDES:

WAY DOWN EAST (1920) (MOMA S 35mm RESTORATION) - D.W. Griffith s penchant for Victorian melodrama reached its height of expression in WAY DOWN EAST. Lillian Gish stars as a small-town girl who is seduced, impregnated, and cast aside by Lennox Sanderson, a wealthy playboy (Lowell Sherman). To escape the shame of having a fatherless child, Anna changes her name and starts a new life in a small farming community, where she meets David, an icon of male virtue and decency (Richard Barthelmess). Their delicate happiness is threatened when Lennox arrives in town, and word of Anna s unsavory past begins to spread.

D.W. GRIFFITH: FATHER OF FILM (1993) - In this acclaimed three-part documentary, celebrated film historians Kevin Brownlow and David Gill (Unknown Chaplin, Buster Keaton: A Hard Act to Follow) tell the proud, sad story of D.W. Griffith (1875-1948): the man who first brought artistry and ambition to the movies, and then, having dragged a reluctant American film industry to international prominence, found it had no more use for him.

THE AVENGING CONSCIENCE (1914) - D.W. Griffith indulged his lifelong fascination with Edgar Allan Poe in this ambitious amalgam of the writer s poetry and prose: (Annabel Lee) and (The Tell-Tale Heart), flavored with shades of (The Pit and the Pendulum), (The Black Cat), and (The Conqueror Worm). Poe s tales are interwoven in one tragedy-laden narrative of a young man (Henry B. Walthall) who yearns to escape from his overbearing, one-eyed uncle (Spottiswoode Aitken). After the nephew murders the ogre, he and his lover (Blanche Sweet) are wracked by guilt and tormented by nightmares, ghosts, and demonic entities that drive them to even more horrifying extremes. INCLUDES GRIFFITH S 1909 7 MINUTE SHORT EDGAR ALLAN POE.

ABRAHAM LINCOLN (1930) / THE STRUGGLE (1931) (DOUBLE FEATURE) - The silent cinema s renowned pioneer, D.W. Griffith, directed only two sound features: ABRAHAM LINCOLN (1930) and THE STRUGGLE (1931), both double-billed on this DVD. Returning to the historic era of his greatest success, Griffith paid homage to the sixteenth President in this moving drama starring Walter Huston (The Treasure of the Sierra Madre). Focusing on Lincoln s personal tragedies, as well as his great accomplishments, Griffith s film depicts the American icon with a sensitivity and grace rivaled only by John Ford s Young Mr. Lincoln. A departure from the historical super-productions for which he was known, THE STRUGGLE was an intimate drama of an American everyman who falls victim to the debilitating affliction of alcoholism. No stranger to the destructive influence of drink, Griffith pulls no punches in dramatizing its potential horrors, especially in the terrifying climax when Jimmie, tormented by delirium tremors, attacks his young daughter (Edna Hagan) in the hovel that was once their happy home. ABRAHAM LINCOLN has been mastered in HD from the MUSEUM OF MODERN ARTS 35mm restoration of Griffith s historical epic. THE STRUGGLE was remastered in HD from a 35mm archive print from the Raymond Rohauer Collection.

SALLY OF THE SAWDUST (1925) - In a fascinating departure from the austere moral drama in which he specialized, D.W. Griffith demonstrates his talent for warm-hearted comedy with SALLY OF THE SAWDUST. Fresh from the Ziegfeld Follies, W.C. Fields made his second screen appearance as Professor Eustace McGargle, a lovably disreputable confidence man who becomes the unlikely guardian of an orphaned circus waif (Carol Dempster).

THESE DVDs ARE LOADED WITH EXTRAS. Product Description

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User Reviews

Average user review: 5.0 (2 reviews)

rating: 5 QuoteD.W. Griffith - Part 2 Is Essential Viewing.Quote
Although it is not usually my practice to write reviews of DVDs before they are released, I feel that I can safely do so with this set as I have already seen all of the features previously released on VHS. They were high quality tapes to begin with and were put out by Kino as well (with the exception of THE AVENGING CONSCIENCE). It's great to have an upgraded version of CONSCIENCE but I wish the set had also included Griffith's neo-realist masterpiece ISN'T LIFE WONDERFUL? which has yet to be issued on DVD.

There are two things about this set that make it really special. 1) the release of Griffith's only two sound features and 2) the DVD release of Kevin Brownlow's 3 hour documentary D.W. GRIFFITH: FATHER OF FILM. ABRAHAM LINCOLN has been on DVD before but having a 35 mm transfer from MOMA should be about as good as it gets. THE STRUGGLE, which was laughed off of screens in 1931, today looks like a precursor to THE LOST WEEKEND in its no holds barred look at an alcoholic on his way down and for you fans of the 1932 MUMMY, there's Zita Johann in one of her too few film roles. Only the artificially happy ending disappoints.

The Photoplay Productions documentary presents a fairly balanced view of the director's career, telling us of his many accomplishments while pointing out his various shortcomings. So many artists are their own worst enemy and that was certainly true of Griffith from poorly managing his money to his obsession with making dancer turned actress Carol Dempster a star. You do get to see one of their best collaborations here in SALLY OF THE SAWDUST with W.C Fields in one of his signature roles as well.

I have never been a big fan of WAY DOWN EAST as its melodramatic elements just get to be too much after awhile (even if that was Griffith's intent) but there's still Lillian Gish's bravura performance and of course the famous scene on the ice floes which would show up years later in Warren Beatty's REDS. As for THE AVENGING CONSCIENCE, it comes from early in Griffith's feature career and shows just how good he was at that point in time. Having a decent copy of it is a plus any way you look at it not to mention having music that actually fits the action on the screen.

So if you're a fan of D.W. Griffith's or are interested in film history then this set is an absolute must. Kino does their usual fine job in providing quality versions of the film material and a wealth of bonus materials including Griffith's 1909 short EDGAR ALLAN POE. If it's a little too pricey for some of you in these harsh economic times, just be patient, I'm sure that affordable used copies will be available before too long. That's one of the many things you can count on Amazon for.

POSTSCRIPT: Now that I have actually watched this set, I can safely say that it is essential viewing to anyone interested in silent film in general and Griffith in particular. Although none of the prints have been fully restored, most of them are in very good shape. THE AVENGING CONSCIENCE looks great compared to previous incarnations and WAY DOWN EAST has an updated score and is presented with color tints. SALLY OF THE SAWDUST looks the same as the old VHS as does THE STRUGGLE (both were above average transfers). ABRAHAM LINCOLN looks good but portions of the soundtrack are missing (mostly in the beginning). These will likely be the best prints we'll see for quite some time to come. November 7, 2008

rating: 5 QuoteA long overdue second installment of the works of D.W. GriffithQuote
Kino is putting out a second boxset of the works of D.W. Griffith. The best known works of Griffith are in volume one, but this one is worth having too. It features Griffith as he was working his way up, at his peak, and on the way down as he used his own money to finance his final films. Included is an excellent three-part documentary on D.W. Griffith that puts the man's life and the body of his work in perspective.

Sally of the Sawdust (1925)
Stars W.C. Fields in only his second film appearance. This film was remade in 1936 as Poppy. Fields reprises his stage role of Professor Eustace McGargle. Fields plays a circus performer and the unlikely foster father to the baby of a dying girl who was thrown out by her father, a well-known judge. The plot is laid out like one of Griffith's melodramas, but it is actually a pretty good comedy showing Fields in his prime.

BONUS FEATURES:
Filmed introduction by Orson Welles
Theatrical trailer
Image gallery

Abraham Lincoln (1931) / The Struggle (1931)
This double feature are the only two sound features that Griffith ever directed. The film on Lincoln doesn't have the polish of John Ford's Young Mr. Lincoln, but considering it is an early talkie it is pretty well made. Griffith does a good job of balancing a presentation of Lincoln's personal life with his life in politics. Walter Huston turns in a great performance in the title role, as always. The Struggle is about a man's descent into alcoholism and the effect it has on his marriage. By the time "The Struggle" was made D.W.Griffith was a director in popular decline. However, these two sound films show that he still had it in him to make good films. He had just run out of money and was considered old-hat by the Hollywood establishment. Abraham Lincoln has been mastered in HD from the Museum of Modern Art's 35mm restoration of Griffith's historical epic. The Struggle was remastered in HD from a 35mm archive print from the Raymond Rohauer Collection.

BONUS FEATURES:
Introduction to The Birth of a Nation, featuring Walter Huston and D.W. Griffith on the set of Abraham Lincoln
Lincoln's assassination: comparison of scenes in Abraham Lincoln and The Birth of a Nation
Gallery of photos and original pressbook for Abraham Lincoln

The Avenging Conscience (1914)
The feature film was in its infancy at this time, and here we get to see Griffith just before he reaches his peak. Here Griffith combines some of the tales of Poe into a very strange little story. A young man (Henry B. Walthall) is forbidden by his uncle to continue his love affair with his sweetheart (Blanche Sweet). The uncle is presented as a ghastly figure, and the young man as a weakling. Yet, he murders the uncle just the same. After the crime, he and his lover are tormented by their own guilt and by ghostly apparitions.

BONUS FEATURES:
Piano score compiled and performed by music historian Martin Marks (2.0 Stereo)
Griffith's 1909 short Edgar Allen Poe (7 min.)
Notes on the preparation of the music score

Way Down East (1920)
One of the greatest silents ever made and a great performance by Lillian Gish. Gish plays a naive small-town girl who is used by a wealthy playboy and then cast aside. Actually, he makes her believe they have been married when in fact the whole wedding is a fake. When she discovers she is pregnant, and abandoned by the father, she moves away to spare her family the shame of her dilemma. On her own she faces even more tragedy, the only bright spot being her meeting David (Richard Barthelmess) who loves her unconditionally. This movie shows the Victorian moral absolutes of the early twentieth century that had no room for mercy or extenuating circumstances.

BONUS FEATURES:
Score compiled from historic photoplay music, performed by The Mont Alto Motion Picture Orchestra (2.0 Stereo)
Excerpts from Lottie Blair Parker's original play
Photos of William Brady's 1903 stage version
Film Clip: The ice floe sequence of the Edison Studio's production of Uncle Tom's Cabin.
Image gallery, including the original souvenir program book
Notes on the preparation of the music score

D.W. Griffith: Father of Film (1993) - This is a documentary made by film historians Kevin Brownlow and David Gill who tell the triumphant yet tragic story of D.W. Griffith (1875-1948). After spending several years making very good short films, Griffith practically invented the feature film and much of the technical techniques that went along with making them. He rose like a meteor during the silent era, but as soon as the early 1920's Hollywood began having less and less use for him. This film tells the entire sad story that actually plays out like one of Griffith's own melodramas.

Highly recommended for the silent film fan and the student of film history.
October 30, 2008

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