The Wiz (1978)

Simply the Best!

This is one of the best musicals ever made. I don't care what anyone says. Forget "The Sound of Music". Quincy Jones creates a true masterpiece with the sound track as well. And the acting is very good. I would have rather seen Stephanie Mills but you know the politics of the industry. July 30, 2008

The Movie is still my favorite But the Gets no respect

The Re-Release of the DVD of The Wiz

WHAT A GD TRAIN WRECK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

LET ME SAY THAT AGAIN

WHAT A GD TRAIN WRECK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I WAS ALREADY PO'D ABOUT THE BONUS DISC WITH NOTHING CLOSE TO A BONUS ON IT

BUT I JUST SAW THE WACK,HORRIBLE,IMAGE THAT THEY USED TO PACKAGE THE DVD

AND I WANT TO CRY RIGHT NOW BECAUSE I FEEL AS A TRUE FAN OF THIS MUSICAL I HAVE BEEN VIOLATED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

ITS ENOUGH THEY DIDN'T WANT TO PUT THE TIME IN TO MAKING THIS DVD RIGHT FOR THE MILLIONS OF FANS WHO HAVE HAD TO PUT UP WITH THE BAD QUALITY OF THE DVD AND I HAVE HAD TO REPLACE IT.

BUT THEN THEY ADD INSULT TO INJURY WITH THAT *beep* BONUS DISC
AND THAT HORRIBLE INSANE IMAGE.

ATLEAST WERE GONNA SCREW US OVER WITH THAT WACK A** BONUS DISC
THEY COULD OF ATLEAST LEFT US WITH THE ORIGINAL IMAGE.

I JUST SAW IT AND I AM JUST SICK
I CAN'T BELIEVE IT
THERE IS GOTTA BE SOMETHING THAT WE CAN DO

BUT I SAY BUY IT! THEN SENT IT RIGHT BACK TO UNIVERSAL WITH THE RECEIPT AND A NOTE AND THAT SAYS" I WANT A FULL REFUND!!!!!!!!!! AND WHEN YOU DECIDE TO GIVE THIS MOVIE THE HONOR AND RESPECT IT DESERVES IN A RE-ISSUE THAN GIVE ME A CALL"
July 23, 2008

CLASSIC!!

ALTHOUGH I'VE SEEN THIS SEVERAL TIMES DURING MY YOUTH I CAN'T GET ENOUGH OF IT!! March 28, 2008

A Wickedly Misbegotten Mess Manages a Few Bright Spots But Not Enough 30 Years Later

It's a bit confounding as to why this legendary 1978 fiasco would warrant a 30th Anniversary Edition DVD, even though in hindsight, this elaborately conceived film is not quite as bad as I recall. That's not to say it's a neglected masterpiece. Not by a long shot. Directed by the estimable Sidney Lumet (Long Day's Journey Into Night, Network, last year's Before the Devil Knows You're Dead), the epic-length film is a regrettable misfire on several counts with its chief liability being a rickety story structure due to an early-career foible of a screenplay by current schlock-master Joel Schumacher (Batman Forever, The Phantom of the Opera). The 1975 Broadway musical version was a zesty, all-black update of Frank Baum's original story that became a long-running hit. Schumacher eschewed the book of the stage version in order to customize the role of Dorothy, written as a pre-pubescent Kansas farm girl, for a then 34-year old Diana Ross still riding high off Lady Sings the Blues and Mahogany. Consequently, in the film version, Dorothy has inexplicably become a 24-year old Harlem schoolteacher with a severe case of social anxiety disorder.

Because the original 1939 film version of The Wizard of Oz is so familiar, there is virtually no sense of surprise in the way of plot. The challenge becomes watching a dowdy, skeletal-looking Ross react to her surreal surroundings in such an excessively naïve manner as to make Dorothy appear in need of a special education program. That leaves her three road companions to pick up the slack, and for the most part, they do. One can now feel melancholic over Michael Jackson's youthfully energetic turn as the Scarecrow since it is the only time his abundant talents have been captured on the big screen. He does his trademark spins and jumps in an exuberant duet with Ross on the show's most famous number, "Ease on Down the Road", probably the film's best moment. Comedian Nipsey Russell makes a likeably philosophical Tin Man, but it's Ted Ross who truly shines as Fleetwood the Lion in a performance that compares favorably to Bert Lahr's cowardly original. A rather hyper Richard Pryor makes a barely-there appearance in the title role. The women fare even less well. Theresa Merritt has just a few scenes upfront as kindly Aunt Emma, Mabel King does her blustery best to make an impression as Evillene the Wicked Witch in just a couple of scenes, and the legendary Lena Horne is simply wasted as Glinda the Good in static repose as she belts out her one number, "If You Believe in Yourself".

The film picks up considerable energy during the production number set to Luther Vandross' "Everybody Rejoice/Brand New Day", but Lumet just doesn't know when to stop it. Like Martin Scorsese (1977's New York, New York) and John Huston (1982's Annie), Lumet is a director out of his depth within the necessary fleetness of the musical genre, and the film's pacing lags over its excessive running time of 133 minutes. The one element that remains impressive over the years is Tony Walton's creative costumes and elaborate production design turning New York City into a surreal series of carnival rides. Most ironically, the World Trade Center is made over into Emerald City and the Twin Towers plaza becomes the setting for an Earth, Wind & Fire-style disco ensemble. For what is marketed as a special edition package, the 2008 DVD is surprisingly bereft of meaningful extras - a brief making-of featurette made at the time of production, the original theatrical trailer and a CD with eight of the movie's songs. The movie is a misbegotten mess with just a few forgotten jewels. March 20, 2008

My daughter loves this movie!

We owned the DVD, but lost it when we moved early 2008. My daughter loved it so I got another copy. This one was a little better because it came with a CD. I thought that it was the entire soundtrack but it was only 8 sounds (not all of the ones that I liked).
This is a great movie. The music is awesome and the imagery is great. This a much better version than the 1930's version. Basically, it has more soul! March 16, 2008

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