Lost and Found: The Harry Langdon Collection (1924)
Facts
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Lost and Found: The Harry Langdon Collection
DVD Price: You save 10%! As of Jul 24 5:20 EDT (details)
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| Directed by | Harry Edwards, Arvid E. Gilstrom and Roy Del Ruth |
| Cast | Harry Langdon, Vernon Dent, Alberta Vaughn, Andy Clyde, Madeline Hurlock and Natalie Kingston |
| Theatrical Release | March 2, 1924 |
| DVD Release | December 26, 2007 |
| Running Time | 600 minutes |
| MPAA Rating | Unrated |
| UPC Code | 736899113629 |
| Buy this item | $35.99 at Amazon.com As of Jul 24 5:20 EDT (details) 4 DVD, FACETS VIDEO, Usually ships in 24 hours, Box set, Black & White, DVD-Video, Full Screen, NTSC Languages: English (Original Language) Or 26 new from $23.87, 10 used from $19.99 |
About Lost and Found: The Harry Langdon Collection
Discovered in 1923 by slapstick pioneer Mack Sennett Harry Langdon quickly came to rival silent comedians like Chaplin Lloyd and Keaton in popularity. Langdon's comic persona of the wide-eyed innocent bewildered by the world around him was developed in such classic shorts as Picking Peaches and His New Mamma which have been restored to their full glory and included in this four-disc set. It also contains most of Langdon's seminal work for Sennett's studio and new restorations of several previously lost films including Smile Please The First 100 Years The Luck o' the Foolish The Hansom Cabman All Night Long Feet of Mud The Sea Squawk Boobs in the Wood His Marriage Wow Plain Clothes Remember When Lucky Stars Saturday Afternoon Fiddlesticks Soldier Man His First Flame Knight Duty Hooks and Jabs and Love Honor and Obey (the Law). Silent with original music score.System Requirements:TRT: 600 mins.Format: DVD MOVIE Genre: COMEDY/SILENT UPC: 736899113629 Manufacturer No: DV95365 Product Description
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Average user review:| Give Harry another try here |
Although my admiration for Keaton grew fast and I quickly regarded him as Chaplin's one true rival, I did not forget Harry and the passion he had evoked in me. However, when I finally got to see his features, I had to pardon myself for being slightly disappointed. The gags felt far and between and were, I thought, usually performed without the sparkle of other talents. Rather, the insecurity which I had sensed in Harry's character and loved him for, I did now suspect to be largely the result of a lasting insecurity in Langdon the performer. While I still enjoyed him in excerpts, he became hard to watch for longer periods.
Do you recognize yourself a bit here? If yes, I guess you belong to the category of people who have more or less given Harry up by now and consider him to be completely overrated. Then, my friend, I am afraid that you have, as I did, missed the whole point. Not unlike when I watched W.C. Fields for the first time, what Harry did not give me was, in fact, what I failed to recognize. Fields was ahead of his time; Langdon did not even belong to any, and is timeless because of it.
IMPORTANT: watch each film in this set chronologically (excluding the extras). I guarantee you; you'll quickly realize that the insecurity of Harry has its outspring from an overwhelming personal SECURITY in Langdon. Take his first film, PICKING PEACHES (1924): here, he appears like any other clown, milking gags in traditional manner. A few films later, however, he has developed his character, with all its strange, childlike habits, such as walking one way just to change direction, and then change direction AGAIN. Only a really secure performer could ever achieve such insecurity so spontainely. Oh yes, he could do otherwise, as early appearances confirm, but this is how he chose to do it. His character is not so often funny for what he does as for the very fact that it is HE who does it; a gag which would seem incredibly weak and stupid in the hands of Chaplin gets hysterical with Harry.
Because I was fortunate enough to realize all this quickly, not ONCE throughout the viewing did I get back the uneasy feeling of the old days. My top favorites in the set got to be THE FIRST 100 YEARS, THE HANSOM CABMAN, ALL NIGHT LONG, [...] IN THE WOOD, SATURDAY AFTERNOON, SOLDIER MAN and the feature HIS FIRST FLAME (which I previously didn't like), but all are enjoyable and the documentary is a treat. Harry Langdon was, plain and simple, a unique comic genius in his very unique way. Long live his work. July 7, 2008
| Content details for Langdon Lost & Found |
LOST AND FOUND: THE HARRY LANGDON COLLECTION consists primarily of shorts made during the height of Langdon's popularity. Bonus features on these four DVDs include alternate versions, never before seen clips, audio commentaries and interviews, Harry's home movies, a 1942 music video and a Langdon documentary. Video quality throughout is remarkably good.
Also recommended for silent comedy fans is SMILES & SPECTACLES - The Harold Lloyd Treasury.
CONTENTS (includes 1 to 10 viewer poll ratings found at a film resource website):
DISC ONE--
(6.9) Picking Peaches (silent-1924) - HL/Alberta Vaughn/Ethel Teare/Vernon Dent/Andy Clyde
(5.6) Smile, Please (silent-1924) - HL/Alberta Vaughn/Jack Cooper/Madeline Hurlock/Tiny Ward/Andy Clyde
(???) His New Mamma (silent-1924) - HL/Andy Clyde/Madeline Hurlock/Tiny Ward/Alice Day/Jack Cooper
(6.5) The First 100 Years (silent-1924) - HL/Alice Day/Frank J. Coleman/Louise Carver/Madeline Hurlock
(6.8) The Luck o' the Foolish (silent-1924) - HL/Marceline Day/Frank J. Coleman/Madeline Hurlock/Kalla Pasha
(7.6) The Hansom Cabman (silent-1924) - HL/Marceline Day/Charlotte Mineau/Andy Clyde/Madeline Hurlock
BONUS:
Horace Greeley, Jr.
Funny Manns #4
Funny Manns #68
Catalina, Here I Come
DISC TWO--
(6.4) All Night Long (silent-1924) - HL/Natalie Kingston/Fanny Kelly/Vernon Dent (uncredited: Andy Clyde/Billy Gilbert)
(7.0) Feet Of Mud (silent-1924) - HL/Natalie Kingston/Yorke Sherwood/Florence Lee/Vernon Dent
(???) The Sea Squawk (silent-1925) - HL/Eugenia Gilbert/Charlotte Mineau/Leo Sulky/Alice Day/Vernon Dent
(6.5) Boobs In the Wood (silent-1925) - HL/Marie Astaire/Vernon Dent/Natalie Kingston/Leo Willis
(7.2) His Marriage Wow (silent-1925) - HL/Natalie Kingston/William McCall/Vernon Dent
(6.1) Plain Clothes (silent-1925) - HL/Clair Cushman/Jean Hathaway/Vernon Dent/William McCall
(7.1) Remember When? (silent-1925) - HL/Natalie Kingston/Vernon Dent/Austin Jewell/Sam Lufkin
BONUS:
Comedy Capers
Photo Gallery
DISC THREE--
(6.8) Lucky Stars (silent-1925) - HL/Vernon Dent/Natalie Kingston/Andy Clyde/Tiny Ward/Ruth Taylor
(6.8) Saturday Afternoon (silent-1926) - HL/Alice Ward/Vernon Dent/Ruth Hiatt/Peggy Montgomery
(6.1) Fiddlesticks (silent-1927) - HL/Vernon Dent (uncredited: Anna Dodge/Leo Sulky)
(7.6) Soldier Man (silent-1926) - HL/Natalie Kingston/Vernon Dent/Andy Clyde/Frank Whitson
(6.2) His First Flame (silent-1927) - HL/Natalie Kingston/Ruth Hiatt/Vernon Dent/Bud Jamison/Dot Farley
BONUS:
Short Afternoon
Heart Trouble Presskit
DISC FOUR--
(5.1) Knight Duty (1933) - HL/Vernon Dent/Nell O'Day/Matthew Betz/Lita Chevret/Eddie Baker
(???) Hooks and Jabs (1933) - HL/Vernon Dent/Frank Moran/Nell O'Day/William Irving
Love, Honor and Obey (The Law) (1935) - HL/Monte Collins (A promo for BF Goodrich)
BONUS:
Lost and Found (documentary)
Hal Roach Announcement
Voice of Hollywood
Hollywood on Parade
Beautiful Clothes
Home Movie May 20, 2008
| It's Obvious |
| Great Collection! |
| Applause! |
Langdon is definitely not your father's Oldsmobile. He is a hard sell to an audience that does not have the patience or attention span to wait for the small flits, misdirections, and half smiles that constitute a fair amount of his comic repetoire. I was struck by the comment (on the documentary) that Walter Kerr used to show a couple of "typical" silent comedies prior to showing a Langdon to a crowd to get them warmed up to his function in the silent comedy world. It actually seems like it might be a good idea!
I did mention the print quality. Apart from the slightly irritating habit of placing a number of title styles within a single film (as many as four or five in some instances), I thought they did an excellent job. The soundtracks ranged from outstanding to curious, but never seriously detracted from my enjoyment of the films, and often enhanced it. I did notice that the print of "Lucky Stars" excised a cheap racial joke (Langdon re-reads his fortune about "falling in love with a dark woman", and sees a black woman in the crowd, which both puzzles and worries him), but as much as I pine for complete prints, I don't feel much harm was done!
This set is a bargain, and it is essential for any student of silent comedy. I cannot recommend it highly enough. If the restored prints of "Fiddlesticks" (an AMAZING comedy), "Saturday Afternoon", "Remember When", and "His MArriage Wow" were all we got, it would still be worth the price. January 16, 2008
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