28 Weeks Later (2007)
Facts
| Directed by | Juan Carlos Fresnadillo |
| Cast | Catherine McCormack, Robert Carlyle, Amanda Walker, Shahid Ahmed and Garfield Morgan |
| Theatrical Release | May 11, 2007 |
| DVD Release | October 9, 2007 |
| Running Time | 100 minutes |
| Disc Type | |
| MPAA Rating | R (Restricted) |
| UPC Code | 024543471103 |
| Buy this item | $24.95 at Amazon.com As of Oct 1 20:57 EDT (details) 1 Blu-ray, TWENTIETH CENTURY FOX HOME ENT, Usually ships in 24 hours, AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen Languages: English (Original Language), Spanish (Original Language), French (Original Language), English (Subtitled), Spanish (Subtitled), French (Dubbed), Spanish (Dubbed) Or 44 new from $10.96, 27 used from $10.34, 1 collectible from $39.98 |
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User Reviews
Average user review:| Decent zombie flick, but too many plot holes |
[Note: Some spoilers follow.] I never figured out why the people infected with the rage virus never attack each other rather than concentrating exclusively on the uninfected. Given they are so whacked out as to not be able to even feed themselves -- we are told that everyone infected the first time around is dead of starvation -- how are they able to resist going after each other? Another point: Would the authorities really be intent on repopulating London so soon after the infection? If they were, shouldn't they have done a better job of guarding the ways into and out of the "green zone"? Why have armed guards posted every two feet inside the quarantined area and then have few guards at the entrances? The two kids have no trouble sneaking out, so you would expect the infected would have had little trouble breaking in. And given how important the infected -- but asymptomatic -- mother is, why wouldn't she be guarded more closely? The father is able to visit her without much trouble. They have all these guards everywhere and then when they have an infected person on their hands, they don't bother to guard her closely? A few implausible things are bound to occur in any sci-fi movie, but when the writers get this sloppy it seriously detracts from enjoying the film. October 1, 2008
| Just plain awful |
I loved the original 28 Days Later. I loved all the possible endings they had shot for 28 Days later (well, the story board idea sucked). It made me think, and even made me rethink my view or irradiated fruits :D
28 Weeks Later sucked. No thought was involved I the movie at all. Just sit back and watch people scream and run for the red colored corn syrup. Ants must have thanked their ant god for all the food the props department provided them. The trees of the world must have breathed a sigh of relief that almost none of them were cut down to be script paper.
The story is inconsistent. In the first movie we're told that animals DO get the Rage infection (hence the animal to human transfer). In 28 Weeks Later, they say animals CAN'T get the infection. Two children are flown from the safety of Spain to the quarantined London. What part of QUARENTINE is not understood? What father would have his children flown into that special hell? Sure, the mother has an immunity to the infection - how does that explain her not being a meal for all those infected people in the house?
Largely this feels like a bunch of people sat around and said "Hey, we could do a shoot in this location, what sort of zombie attack would look cool there?. There seems to have been no thought put into telling a coherent story in between the attacks.
This sequel was so bad I'll avoid anything more from this soon-to-be trilogy. If I could have the memory of 28 Weeks Later wiped from my mind, I would. September 30, 2008
| Modestly successful sequel |
The downside are plot holes bigger than you could imagine. There's a lot more of "What are they thinking?" than usual - despite the genre. That said, I'll see 28 Months Later if they come out with it. September 16, 2008
| Better Than The Origional |
Recommended for fans of the genre. August 24, 2008
| decent, if unspectacular, zombie film |
Zombie pictures have become such a staple of the horror movie genre that it is hard for anyone to do anything particularly novel or original with them anymore. Zombie bites human, human turns into zombie, new zombie bites another human, and on it goes ad infinitum. That scenario may have been fresh and exciting when George Romero first introduced it to the world in "Night of the Living Dead" back in 1968, but it has been diluted through repetition and overuse ever since (partly by Romero himself with his endless, ever diminishing variations on the theme). The one innovation the original "28 Days Later" came up with was to speed up the zombies' movements so that they were no longer the lumbering creatures that anyone's 85-year-old granny could easily outrun.
"28 Weeks Later" has some genuinely suspenseful moments and a nice post-apocalyptic feel in its early stretches, but, like its predecessor, it tends to devolve into a tedious shooting-gallery sideshow the longer it goes on. Director Juan Carlos Fresnadillo's hurdy-gurdy filmmaking style, which is intended to replicate the chaos and pandemonium of the situation, often leads more to confusion than to clarification for the audience. Still, the movie contains a few cool plot twists and raises some thorny ethical issues, such as whether or not innocent people are to be sacrificed if that means ensuring the safety of the population as a whole. And there is certainly more than enough bloodshed and general mayhem to keep the zombiephiles among us rooted to our seats. Even the undead can have fun with that.
August 9, 2008
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