Fires on the Plain - Criterion Collection (1962)
Facts
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Fires on the Plain - Criterion Collection
DVD Price: You save 10%! As of Nov 29 2:50 EST (details)
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| Directed by | Kon Ichikawa |
| Cast | Eiji Funakoshi, Osamu Takizawa, Mickey Curtis, MantarĂ´ Ushio and Kyu Sazanaka |
| Theatrical Release | July 25, 1962 |
| DVD Release | March 13, 2007 |
| Running Time | 104 minutes |
| MPAA Rating | Unrated |
| UPC Code | 715515022620 |
| Buy this item | $26.99 at Amazon.com As of Nov 29 2:50 EST (details) 1 DVD, Criterion, Usually ships in 24 hours, Black & White, DVD-Video, Subtitled, Widescreen, NTSC Languages: English (Subtitled), Japanese (Original Language - Dolby Digital 1.0) Or 39 new from $20.00, 11 used from $13.02 |
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User Reviews
Average user review:| A Ridiculous Portrayal of War |
October 25, 2008
| Not brutal to view, at times unconvincing portrayal, but the story is there! |
Director Kon Ichikawa, Japanese film director, died in February 2008 at 92. His other popular war film was "The Burmese Harp" 1956, which won an Academy Award for Best Foreign Film. It appears as if his latest filmmaking was 2006. Ichikawa was compared to Kurosawa, but not quite there. Fires on the Plain takes place in the Phillipine jungle and the wide camera shots are excellent. The subtitles are well placed below the image, thus allowing clear reading, although at times, we are shorted of translation.
After a soldier, Tamura, is rejected by his own army, he is ill with tuberculosis, not worth anything for the army, not sick enough for the hospital, and is sent with potatoes and a hand grenade. He is equipped to either survive, bombing explosions, hunger, thirst, or he can kill himself.
Unconvincing portrayal
Folks, I have seen hundreds of foreign film, including wartime, but the minute I saw the opening scene, the slap across the face, I can't help but notice that I was not going to see great acting! First, the slap was the kind that "clearly misses", contrasting against the sound effect which is that annoying high-pitched slap sound.
The feral dog pounce
This scene, a dog pounces on the soldier, but the viewer can clearly see how a dog was held, then perched out onto the soldier, hardly convincing.
Actors lack character and emotion in the face
Many of the actors, including the main actor, lacked that character in the face. That's all we the viewer need, is that character in the face, the emotions need to bring depth to tell the story. Also, the actors, when trudging along the plains visibly appeared as if they were acting.
Other than the acting scenes, the plot was there, the message about wartime Japan was disturbing!....Review of Videotape. Rizzo
September 8, 2008
| Gears of war |
There is nothing romanticized or sensationalized here. This is the most monstrously appalling and bleak war movie I have ever seen. It might not have the blatant, visceral gut-punch of MEN BEHIND THE SUN. It doesn't have the startling, gory effects or chaotic frenzy of the opening scene in SAVING PRIVATE RYAN. Plus BLACK SUN: THE NANKING MASSACRE was most likely plastered with more challenging, brutal, and alarming images.
But FIRES ON THE PLAIN soaks up the emotional wreckage and leaves a sad, hollow void behind. There is a heavy dose of death and desperation that will rattle you to the core. It harnesses some dreadful truths and outright shameful implications that exposes a past that many dare not acknowledge.
It takes place in the Philippines, near the end of WWII. The story focuses on Private Tamura, a Japanese soldier suffering from tuberculosis. He is considered a hindrance to his troops, plus the hospital is already crowded with people in far worse condition than him. Branded an outcast, he embarks on a desolate journey just trying to survive.
This is quite a harrowing character study. It is frightening to think just how low man will plummet when pushed to extreme limits. Heartless murder, theft, betrayal, rape, cannibalism...once our humanity is stripped away, our ruthless nature is depressing.
Director Kon Ichikawa is a master storyteller, not to mention gutsy. Surprisingly, he also injects some clever snippets of humor in here too, which undeniably breathes a certain energy into an otherwise dismal picture. Ichikawa once stated that Walt Disney and Pier Paolo Pasolini were his favorite filmmakers. Both of their influences are prevalent here. Just a bold, beautifully shot B&W film, based on the award-winning '52 novel by Shohei Ooka. September 5, 2008
| This picture turned me off because it was so real. |
| a devatating anti-war film |
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