The Teahouse Of The August Moon
Facts
| Directed by | Daniel Mann |
| Cast | Marlon Brando, Glenn Ford, Machiko Kyo, Eddie Albert and Paul Ford |
| Running Time | 123 minutes |
| UPC Code | 012569793804 |
| Buy this item ... | 7 new from $22.93, 4 used from $20.00 |
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User Reviews
Average user review:| Teahouse |
The funny clash between okinawan and american cultures during the recovery of Okinawa after WWII. My favorite Brando role. October 2, 2008
| Teahouse of the August Moon |
| A fun movie |
| Embarrassing in so many ways |
Supposedly much of it was filmed in Japan, yet many scenes look like a cheap sound stage. The script, written by a gay playwright, struggles to figure out how to develop and resolve an unconsummated love affair between a soldier and a geisha, and ultimately abandons this problem fecklessly as if it was never worth serious consideration in the first place. The two young male leads, on the other hand, go through such a bonding ritual, you almost expect them to start kissing (an impression heightened by one of them wearing a bath robe throughout much of the picture).
No doubt this movie, and the Pulitzer-winning play that it was based on, were well intentioned as a parable against American oppression of primitive cultures, yet the script is incessantly condescending to the "simple folk" of Okinawa and is ultimately as simple-minded as the military machine that it mocks.
The dramatic structure is virtually nonexistent. Even a low-grade TV sitcom would make better sense. It is utterly episodic, with characters who change arbitrarily to satisfy the predetermined outcome of the plot.
Direction is heavy-handed, with much mugging and pausing for laughs. The extreme wide-screen format is totally unsuited to the action. The only high point for me was an unbroken sequence showing a formal geisha dance with fidelity and respect for the cultural source.
Broadway has a long history of taking "controversial" themes and trivializing them in a comedic format which defuses the subject matter and enables audiences to go home feeling good about themselves and the world. And Hollywood in the 1950s and 1960s had a long history of picking up such vapid nonsense and trivializing it further for the presumably dumber audiences beyond the theater-going public of New York City, Long Island, and New Jersey. Happily this particular form of exploitation barely exists anymore, and Teahouse of the August Moon is now merely an embarrassing relic.
Two stars, rather than one, because of the dance sequence, which is worth viewing. August 19, 2008
| Teahouse of the Auguest Moon |
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