Ziegfeld Follies (1946)
Facts
| Cast | Fred Astaire, Gene Kelly, Judy Garland, Fanny Brice and Red Skelton |
| Theatrical Release | April 8, 1946 |
| DVD Release | April 25, 2006 |
| Running Time | 117 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 012569678590 |
| Buy this item | $17.99 at Amazon.com As of Jul 2 20:34 EDT (details) 1 DVD, Warner Brothers, Usually ships in 24 hours, Closed-captioned, Color, Dolby, Full Screen Languages: English (Original Language), English (Subtitled), French (Subtitled), Spanish (Subtitled) Or 36 new from $12.81, 16 used from $10.38 |
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User Reviews
Average user review:| Ziegfeld Follies |
| Ziegfeld Follies |
| Ziegfeld Follies - a big disappointment |
This is a very poorly directed and the most boring movie I have ever seen. October 22, 2007
| Far Better than it Looks |
MGM was right. The songs and lyrics didn't stand out as extraordinary, the scenery was laughable at times, and the stories in the dance numbers were downright banal. There are exceptions, but it's the stars that saved this picture from being another "'Till the Clouds Roll By." For example, Judy's number (with a wit that counts as one of those exceptions) isn't the best display of her talent, but somehow I couldn't help watching it with a big grin on my face. (Does the expression "Just stand there" ring a bell to the Garland fans?) The timing, music and rhythm allow the description of her "next film" to provide the biggest laugh of the show. Astaire's dance act with Gene Kelly is a perfect way to stop the show.
This is the perfect kind of DVD to own rather than rent. There's no story that'll lose its effect over time. There are only good (and occasionally terrific) acts to watch over and over again. August 6, 2007
| Glorious Technicolor Musical Numbers and Comedy Skits |
Every sequence is not great, but the ones that are truly shine. And thanks to DVD you can hit the Skip/Next button on your remote if Red Skelton isn't your cup of tea. This film is a wide spectrum, from the sublime and gorgeous to the weird and garish.
The rich, vibrant colors pop out and gleam, but not in a phony way. Technicolor is great stuff.
It always amazes me, when watching movies like this, at how long some of the takes last. Nowadays the cameras roll briefly and there's plenty of post production work, but back in the 1940's you had long and complicated sequences where there weren't many edits or cuts. Things had to be perfect. It's astonishing. I kept wondering how many rehearsals Lucille Ball had to endure, as well as Fred Astaire and Cyd Charisse. Probably not as many as I'd expect; these were professional, talented stars in their element. This was a golden age, and seeing a movie like this makes me wish I could have been there to witness all the glitz and wonder.
Judy Garland's funny number ("Interview", or as I call it, The Safety Pin number) is a real hoot. A star is hamming it up to the hilt for a bunch of male reporters and interviewers. Whether her comedic timing is her own gift here or Minnelli's directing of her, it really works. (I wonder if there was one particular starlet they were spoofing here, or just all of them at that time.)
And you get Fred Astaire and Gene Kelly dancing and singing together... it doesn't get much better.
I love the fact that you get two vintage MGM cartoons in the bonus features: Tom and Jerry in "Solid Serenade", and the great Tex Avery's manic "The Hick Chick". A nice touch! June 22, 2007





