Burn! (1970)
Facts
| Directed by | Gillo Pontecorvo |
| Cast | Marlon Brando, Evaristo Márquez, Renato Salvatori, Norman Hill and Dana Ghia |
| Theatrical Release | October 21, 1970 |
| DVD Release | November 8, 2005 |
| Running Time | 112 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 027616125354 |
| Buy this item | $12.99 at Amazon.com As of Aug 28 14:59 EDT (details) 1 DVD, TWENTIETH CENTURY FOX HOME ENT, Usually ships in 24 hours, Color, DVD-Video, Full Screen, Subtitled, NTSC Languages: English (Original Language), Portuguese (Original Language), English (Subtitled), French (Subtitled) Or 47 new from $3.53, 15 used from $3.54 |
About Burn!
A Caribbean island in the mid-1800's. Nature has made it a paradise; man has made it a hell. Slaves on vast Portuguese sugar plantations are ready to turn their misery into rebellion - and the British are ready to provide the spark. They send agent William Walker (Marlon Brando) on a devious three-part mission: trick the slaves into revolt grab the sugar trade for England...then return the slaves to servitude. Gillo Pontecorvo the acclaimed director of The Battle of Algiers explores colonialism and insurrection in the searing epic Burn!. Both visually and narratively stunning Burn! glows with the fires of Pontecorvo's unique filmmaking genius. Genius is also evident in Brando's complex intelligent portrayal of a man who is both gentleman and scoundrel revolutionary and colonialist. And Ennio Morricone's (The Untouchables The Mission) haunting music memorably underscores the almost overwhelmingly powerful story.System Requirements:Running Time 112Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616125354 Manufacturer No: 12535 Product Description
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User Reviews
Average user review:| Purchases from Amazon.com |
| flawed but viewable take on colonialism and imperialism. |
We can read further symbolism into the script, if we wish. Jose Doloris and the other rebels might be seen as representing those Negroes and their white supporters in the US who had recently fought and sometimes died to achieve true racial equality. Ditto for similar events in other countries. We might also see the Portuguese as stand ins for the French and the British as representing the US in the Vietnam situation, current when this film was made. The changing relationship between Walker and Doloris might be seen as symbolic of a similar change between the US and China during WWII vs. afterward, for example. A more recent example is the change in relationship between the US and Sadam Hussein.
I don't like Brando's general arrogant demeanor, nor do I like the his slovenly speaking style. Perhaps these were appropriate for this film.
The initial slave revolt, their transformation into free laborers and their subsequent realization that there was little practical difference between their former and present status was treated far too superficially to be satisfying to the viewer. Perhaps there was more about this in the 20 min longer version of this film. The person who played Doloris was not a professional actor and appears to lack the charisma that a successful rebel leader would need. I did enjoy the scenes of native festivals and village life, although they were sometimes too long.
You may have noticed that my name is William Walker, which is the initial reason I chose to see this film. I own a biography of "the" William Walker, written by Albert Carr. I understand another film was made: "Walker", which also alludes to the imperialist dreams of this facinating man. Unfortunately, this again was not a serious attempt to chronicle the real story of Walker, but was rather a political satire, relating to the then involvement of the US in the political struggles within Nicaragua as a follow up on Walker's long ago meddling in the politics of this country. Apparently, it portrays the critical relationship between Walker and Cornelius Vanderbilt as being the exact opposite of their true relationship! William Walker was a facinating enough man that his life deserves a straight treatment, without becoming a caricature of a message film.
August 18, 2007
| the ugly englishman |
| Poor Quality and Edited! |
First, we've got the short, 112 minute version as opposed to the uncut original 132 minute version.
Second, the negative is in terrible shape. If you've seen any of those public domain DVDs of spaghetti westerns and such, you know exactly what I am talking about. Washed out colors, grain, scratches, the whole deal. Yuck.
Third, and least important, there are no special features on this disc - not even a trailer.
SHAME ON YOU MGM!!! March 6, 2007
| Riveting tale of colonial era |
One might think from the pedigree and the cover of the DVD that it is another Spaghetti Western of sorts, but that would be a grave injustice. The producer, Alberto Grimaldi, is indeed the long time Sergio Leone collaborator, and the opening titles could be straight from one of the dollars movies, but the film is something quite different.
The tale surrounds Marlon Brando as an Englishman sent to a Portuguese colony in the Antilles - his role, to manipulate an uprising against the Portuguese, in order for the area to be opened up to British trade, for the lucrative sugar market. His relationship with the slave who becomes a rebel leader under his guidance underpins the movie, and it is a fine performance from Brando, even if the accent is somewhat effected.
The atmosphere of the colony is brilliantly portrayed, authentic through its use of non actors in key roles and in background colour. Not least, the atmosphere is conveyed by Ennio Morricones fantastic score. This is as equally idiosyncratic as his spaghetti western scores, but with a different flavour altogether, using tribal rhthyms and organ music to make unlikely bedfellows.
Be warned, the DVD itself has no extras, and is painfully washed out and flickers from time to time. The dubbing is not as bad as some spaghetti western lovers may be used to, but still comes across a bit strange at times. Although this would benefit from a restoration, this is a movie with a message and with character which belie the limitations of the print.
Buy this for an undiscovered Brando performance, and a terrific political tale, as long as you can thole the dubious quality of the DVD transfer itself.
February 14, 2007
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