Swimming Upstream (2002)
Facts
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Swimming Upstream (Against all odds, he found the strength to become a champion)
DVD Price: You save 10%! As of Oct 7 9:28 EDT (details)
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| Directed by | Russell Mulcahy |
| Cast | Geoffrey Rush, Judy Davis, Jesse Spencer, Tim Draxl, Deborah Kennedy and Mark Hembrow |
| Theatrical Release | November 30, 2001 |
| DVD Release | May 31, 2005 |
| Running Time | 97 minutes |
| MPAA Rating | PG-13 (Parental Guidance Suggested) |
| UPC Code | 027616927354 |
| Buy this item | $17.99 at Amazon.com As of Oct 7 9:28 EDT (details) 1 DVD, Team Marketing, Usually ships in 24 hours, AC-3, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC Languages: English (Original Language - Dolby Digital 5.1) Or 37 new from $2.02, 61 used from $0.31, 1 collectible from $19.98 |
About Swimming Upstream
As the target of his father Harold's (Geoffrey Rush) drunken abuse, young Tony Fingleton (Jesse Spencer) escapes to the underwater solitude of the local pool, where he aspires to win his father's love by becoming a national swimming champion. But when his cruel father pits Tony against his own brother in a competition to make the Olympic team, Tony must find the courage to swim his way to victory... and out of his father's emotionally crippling net. Product Description
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User Reviews
Average user review:| Very good |
| Great film! |
| Watching Uphill |
The film rests entirely on Rush's shoulders, and he is an amazing talent, well equal to the task. This is a man submerged in his own tortured world, incapable of asking for help or providing comfort. Instead, he revisits the cruelties and illnesses of his own childhood onto his children, passing them down like prized heirlooms. The father is an interesting character, and Rush owns him, unfortunately the screenwriter apparently dropped the scenes that might cause our perception of him to expand beyond pure loathing into some sort of understanding, if not sympathy.
Judy Davis, certainly one of the best actresses working today, wrestles with her Australian accent but offers a typically excellent performance. She has the unenviable chore of providing care for the children despite her husband's seeming determination to undermine her at every turn. Davis inhabits a doomed universe, and it is possible to see the life force draining right out of her. Despite her maternal commitment, despair is never too far away.
Superimposed on this dark canvas is a chirpy tale about a nice looking kid who wins a swim meet, goes to an Ivy League school, and gets a job on a hit TV show. It's such a spunky little parable that it actually has the nerve to ask, "If you do well for the wrong reason, if you struggle for the approval of somebody who will never give it to you and end up getting pretty good at something in process, is that such a bad thing, really?"
There is a scene where Tony (Jesse Spencer) is showing his medal to a blind drunk dad, spilling the beans, saying all the things these Stoic, macho Aussie men haven't said throughout the picture. (It's probably the performance that got him his job on House.) Tony is crying, dad is lurching, glassy-eyed like a bloated beast from the underworld. If at that moment Tony had used the medal to carve his name into dad's forehead - backwards - just so dad was reminded which son was the best swimmer every time he looked in the mirror - then maybe, just maybe, you would have something. As it is, what you've got is Disney directing 120 Days at Sodom. May 13, 2007
| Great movie! |
| Good son, bad dad . . . |
Rush, as the alcoholic, tyrranical father, makes no secret of preferring another of his four sons, and constantly undercuts and humiliates the central character, Tony, whom he regards as weak and unmanly, apparently for no other reason than that he plays the piano. Haunted by demons of his own impoverished childhood, he drinks up what little he earns, while Davis as the mother provides the needed emotional support for a family forced to live in poverty. Fingleton's story, as he tells it, is one of overcoming all these obstacles to leverage a career as a young athlete into a full scholarship at Harvard. While he attempts to make peace with his father in the closing scenes, he portrays himself as selfless, endlessly patient, and forgiving. Meanwhile, it seems pretty obvious that he's using his autobiographical screenplay to get back at the old man. Definitely worth watching for the performances and the portrayal of a family ruled by an abusive alcoholic. You may wonder though about its authenticity. The DVD has a short featurette, including comments from the real Tony Fingleton, and numerous deleted scenes. August 20, 2006
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