Mitch Leigh, Joe Darion, Laurence Rosenthal - Man of La Mancha (1973 Movie Soundtrack)
Facts
| Artist(s) | Mitch Leigh, Joe Darion and Laurence Rosenthal |
| Studio | Varese Sarabande |
| Release Date | April 12, 2005 |
| UPC Code | 030206664829 |
| Buy this item | $17.98 at Amazon.com As of Oct 3 21:11 EDT (details) 1 Audio CD, Usually ships in 24 hours, Soundtrack, Original recording remastered Or 22 new from $12.33, 6 used from $12.39 |
Tracks
- Overture
- Man Of La Mancha (I, Don Quixote)
- It's All The Same
- Dulcinea
- I'm Only Thinking Of Him
- I Really Like Him
- Medley: Barber's Song/Golden Helmet Of Mambrino
- Little Bird, Little Bird
- The Impossible Dream (The Quest)
- The Dubbing
- Medley: Life As It Really Is (Soliloquy)/Man Of La Mancha (Reprise) (I, Don Quixote)
- Aldonza
- A Little Gossip
- Medley: Dulcinea (Reprise)/The Impossible Dream (Reprise) (The Quest)/Man Of La Mancha (Reprise) (I, Don Quixote)
- The Impossible Dream (The Quest)/Finale
Similar CDs
| Man of La Mancha | Camelot: Original Motion Picture Soundtrack | Man of La Mancha: A Decca Broadway Original Cast Album | West Side Story | The King and I |
User Reviews
Average user review:| Perfection |
I was blown away! Not since the Broadway musical, "Les Miserables," have I been swept up in such a powerful presentation of the grace of God.
Having spent the past two days tracing down its origins, it is clear that there was an invisible hand guiding the various writers through which the life of Cervantes finally became "Man Of La Mancha," the movie.
Imprisoned by what was calling itself "church" in the days of the Spanish Inquisition, Cervantes, the sane man behind the mad man, Quixote, finds himself tried on two fronts. In the dungeon, where the Inquisition has locked him up, he is put on trial by his fellow prisoners. He defends himself by becoming the crazy Don Quixote, the would-be knight in quest of an "Impossible Dream."
Enlisting his fellow prisoners as the cast of his play, as his defense plays out, he must convince a very fallen women, Aldonza, that she is an incomparable princess. All she need do to make the transition is to believe the new name he gives her, "Dulcinea." To that end he dedicates his life. Dying to prove his unoffendable love, she finally sees the light, and in her seeing, transforms the others held in prison be the Inquisition of that day.
In short, the movie seemed to me to be vested with a meaning no sane person of this world intended. The original script may be found in Ezekiel, Chapter Sixteen. October 1, 2007
| No One Should Miss This One, Ever |
| Man of La Mancha (1973 movie soundtrack) |
| It Reached the Unreachable Star |
And, let's be honest, it's worth just about anything you could pay just for the "Life As It Is" speech. I don't care who you are, that speech is amazing. I just don't understand how anyone could hear that speech and NOT be breathless. O'Toole shines in that speech, and any soundtrack that doesn't include it isn't complete. And it really is worth buying the CD for that track alone.
Maybe I am mad to love this version, but who knows where madness truly lies? I cannont say enough about this soundtrack. I love it. It gives me chills, and if Broadway Purists want to knock it, that's fine. They're missing out on the incredible experience of amazing versions of, "Aldonza," "Man of la Mancha," and, most importantly..."Life As It Is." April 7, 2006
| Well, I agree with some of the reviewers... |
However, I strongly disagree with the opinion that Sophia Loren's singing is terrible, but I do see how one could arrive at that opinion. My friend, who is also a big musical buff, winced the first time he heard 'Aldonza', she is off key at times, and her voice breaks occasionally as well. The passion in her voice more than makes up for that, and puts it in context if you will. I'll take a Aldonza/Dulcinea with passion whose voice has an accent and breaks when she is spitting words at Quixote over a perfectly in tune singer who conveys no passion. In short, when listening to Loren singing, I *believe* she is a trollop with no hope for anything better than where she is at, with the Broadway version I don't get that at all. January 24, 2002
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