The Mother (2003)
Facts
| Directed by | Roger Michell |
| Cast | Anne Reid, Peter Vaughan, Anna Wilson-Jones, Daniel Craig, Danira Govich and Oliver Ford Davies |
| Theatrical Release | November 30, 2002 |
| DVD Release | October 12, 2004 |
| Running Time | 112 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 043396042971 |
| Buy this item ... | 8 new from $20.89, 14 used from $7.62 |
Website Links
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User Reviews
Average user review:| Fine condition, but somewhat expurgated version |
Other than that, this is a particularly riveting story about family dynamics, including a sexually repressed senior family member who is widowed and who longs for male affection, thus upsetting the rest of the family. I recommend the movie, though I would recommend the full version even more, that is, if you are not easily "squeamed" by overt sexual performance. April 13, 2008
| Not your typical mother! |
| i'm still queasy |
| The Mother |
Her being attracted to the young carpenter is a sign that she actually needs attention and that she is lonely rather than the raw 'love' between a man and a woman.
I recommend this film to those who love to watch a film about love, family and relationship. March 13, 2007
| Old Girl Gone Wild |
Sixtysomething May (Anne Reid), recently widowed, decides to move to London to be closer to her two adult children. While getting closer to the kiddos--learning more about them, and herself--she finds herself physically attracted to a married carpenter (Daniel Craig, the new James Bond dude) who is her son's friend and who is also having an affair with her daughter (can a plot get any more tangled than that?). May throws caution to the wind and has an affair with the young man--an affair that definitely tweaks the "ick" factor, and subsequently turns her already fragile family upside down.
Reid plays her role robotically, unemotionally, while Craig's character is less than flattering. As a matter of fact, there isn't a flattering--or likeable--character in the entire film, yet the viewer is drawn into this dysfunctional mess just like a crowd rushing to a train wreck. THE MOTHER does indeed pay homage to the human condition, subtly pointing out its frailty at the same time.
--D. Mikels, Author, THE RECKONING February 10, 2007
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