America Beyond the Color Line
Facts
|
America Beyond the Color Line
DVD Price: You save 11%! As of Aug 29 14:29 EDT (details)
|
| Directed by | Daniel Percival and Mary Crisp |
| Cast | Henry Louis Gates, Morgan Freeman, Samuel L. Jackson, Martin Luther King, John Singleton, Maya Angelou, Don Cheadle, Reginald Hudlin, Samuel L Jackson, Quincy Jones, Nia Long and Chris Tucker |
| DVD Release | February 3, 2004 |
| Running Time | 220 minutes |
| MPAA Rating | Unrated |
| UPC Code | 794054903621 |
| Buy this item | $30.99 at Amazon.com As of Aug 29 14:29 EDT (details) DVD, Pbs (Direct), Usually ships in 24 hours, NTSC Languages: English (Original Language) Or 4 new from $17.98, 3 used from $13.51 |
Website Links
- Movie Review Query Engine - Directory of movie reviews.
- IMDb - Features plot summaries, reviews, cast lists, and theatre schedules.
- Art.com - Search for America Beyond the Color Line posters.
Similar Movies
User Reviews
Average user review:| Skip shows Black America. |
Gates interviews a large number of Blacks, both stars and everyday people. There is much class diversity here. You can see the richness of the dialogue as Colin Powell says, "Our generation could not use certain words when we were growing up." and then a second later Russell Simmons, a middle-aged man, has to be bleeped out every other sentence. Unfortunately, this series includes far more men than women, very androcentric. By the way, Alicia Keys looked okay in her "Gangsta Love" video. But when Gates interviews her on the set of that video, her booty is sticking out all over the place. Go buy a belt, Ms. Alicia!
It was difficult watching Gates ask simplistic questions of people on topics that he has covered in-depth or his peers have. I did love seeing a learned Black man speaking a bit of Ebonics here and there. In addition, he slips in scholarly quotes from diverse thinkers such as Audre Lorde, William Julius Wilson, and William Shakespeare throughout the series. I am perfectly fine that this work is not as complex as Gates' "Signifying Monkey"; however, it did feel a bit dumbed-down.
I HATE the way he covered Chicago. Whereas he portrays Atlanta as a thriving, black, middle-class Mecca, he shows Chicago as if it were only in decline. Chicago is not Detroit: we are not that post-industrial. The number of Chicago residents did not decrease over the 1990s as other cities in the Midwest and East Coast have. Chicago is still full of bourgie black people (I should know). One of the reasons that Illinois have elected 2 of the only 5 Blacks who have ever served in the United States Senate is because people of all races are so familiar and unthreatened by middle-class Blacks. This piece totally disrespects the Chi!
Further, Harvard is mentioned several times in this work and no other Ivy League is brought up. Yes, Gates is a department head at Harvard, but technically he's a Yalie. You would think he would want viewers to know that there is more than one Ivy. At a time when Brown University appointed the first African-American president, a woman, in the history of the Ivy League while Harvard's president has been in the news for upsetting female faculty and insulting Cornel West and Kenneth Appiah, you would think Gates would be broader in his coverage.
Gates is seen in most scenes walking with a cane. Because Cornel West walks with a cane as well, I am concerned about the health of Black public intellectuals. However, I am glad that the days of Americans hiding their disabilities are gone. In our age, FDR would not have to be ashamed of his wheelchair.
This series would be great for people doing cursory or initial investigations in the status of Black America. April 15, 2005
| subject matter very important, approach to material mixed... |
Professor Henry Lous Gates, Jr. (or "Skip"---the name he uses when introducing himself to his subjects) took the education he had about his own culture and brought it with him into the field, as he focused on race relations in the south, and the MidWest, the divide between wealthy and poor blacks, and Hollywood's view of African-American performers in a business run predominantly by wealthy, old white men. When I use the word "education" in the context of Professor Gates, I am referring to his priviliged prospective of life in the United States. This man had opportunities that some poor whites, and other groups did not have access to. When he encounters poor, Black youth who have had to struggle to rise above the dangerous circumstances of drug and gang-related violence, as well as wealthy African-American entrepeneurs, he approaches both groups of people the same way. He wonders how success is made possible, and how others could've been anything BUT successful.
Though, I think that education, building strong leaders for the future and young people growing into upstanding citizens in the community are all very important factors in this country, I kept feeling Gates lacked compassion for anyone who wasn't like him (i.e. Priviliged, upper-middle class, educated Blacks professionals). Though, I realize he wanted to understand how others "went wrong," for me his ignorance of the hardship others with less money and opportunity endure made the film rather biased and half-baked. However, this film is still worth viewing. In these times, I think that building awareness for the diversity of cultural, racial, and economic groups in the United States is vital in empowering the younger generations who will one day be running this country. June 3, 2004
More reviews at Amazon.com ...




