Alice's Restaurant (1969)
Facts
| Directed by | Arthur Penn |
| Cast | Arlo Guthrie, Patricia Quinn (II), James Broderick, Pete Seeger, Lee Hays, Seth Allen and Macintyre Dixon |
| Theatrical Release | August 20, 1969 |
| MPAA Rating | R (Restricted) |
| Buy this item ... | 2 new from $30.18 |
About Alice's Restaurant
You can get anything you want there, or so went Arlo Guthrie's song, a lengthy monologue about a Thanksgiving dinner and how its aftermath kept Guthrie out of the Vietnam-era draft. Arthur Penn's movie version, which stars Guthrie, James Broderick, and Pat Quinn, has a shambling, good-natured feel, much like Guthrie's epic tall tale. But as it follows Guthrie's adventures (he gets arrested for improper disposal of Thanksgiving garbage and the arrest renders him unfit for military service, in the draft board's eyes), it also examines the freewheeling nature of relationships in that period--and the toll that freedom took on those relationships. Guthrie is a natural performer, particularly funny during the draft board sequence; but the heart of the film is Quinn and Broderick's troubled marriage. --Marshall Fine Amazon.com
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User Reviews
Average user review:| Visionary about our future of their past |
Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
November 10, 2008
| Grand Old Flick |
| A memory of idealism & shadows |
We all know the basic story: how Arlo was arrested for littering, and how that criminal blot on his record made him unfit for the draft. What's interesting are the two counterpoints at work here, from the director's more critical & judgmental eye, to Arlo's mellow retrospective in the commentary. Which is closer to the truth?
Well, both of them are, and that's what gives this movie its lasting impact. It's all too easy to dismiss it as dated, but those who do so are really missing the larger picture. Because the intersection of idealism & experience, hope & loss, despair & renewal, is one that every generation faces. It's just that such things were writ very large indeed in the 1960s.
So we see the naive but determined hope of Arlo & his friends to create a newer world, one that's free of the hypocrisies & betrayals of the past. Again, it's easy to dismiss this from a more cynical distance -- but young people really did believe that transformation was possible, and did their best to live as if it had already taken place. It might have proven an impossible dream, but it was a beautiful & positive one.
And we also see how the basics of human nature couldn't be denied, especially with the central character of Alice. I knew hippie earth mothers like that -- but as a naive young man myself, I couldn't see how the burden of living such an archetypal role was more than most flesh-&-blood could beare for any length of time. Even hope takes its toll.
Which brings us to the most moving scenes, the funeral in the snow & the disintegration of their brief communal moment. Never was a song more aptly chosen than Joni Mitchell's "Songs to Aging Children Come," and never was it more heartbreaking. For me, that scene always brings to mind the last lines of James Joyce's "The Dead," with snow falling upon the universe, upon the living & the dead.
And then we see as the temporary family pulls apart, when Ray's need to control things & keep everything captured in the amber of one instant destroys the very thing he sought to preserve. Is there a sadder sight than the drive away from the church, with Alice standing forlornly among the bare trees?
Yet as Arlo's commentary track from decades later shows, it wasn't quite as bleak as all that in the long run. Here's the other truth that's revealed over time: even though such vital, creative movements burn & fade all too quickly -- the Romantics, the Transcendentalists, the Beats, the 1960s, to name just a few -- their spirit outlives those who pronounce their dismissive obituaries. In countless places across the globe today, young people discover William Blake, Thoreau, Jack Kerouac, Dylan. And the spark is rekindled once more, and hope rises like a star in the darkness.
Most highly recommended! October 21, 2008
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