Chattahoochee (1990)

Unable to adjust to civilian life a decorated Korean War hero decides he is worth more to his wife dead than alive. He tries to provoke the police to shoot him but they capture him and declare him insane. Subjected to sadistic practices and unsanitary conditions he sets out to change these injustices. Based on a true story.System Requirements:Starring: Gary Oldman Dennis Hopper Frances McDormand Pamela Reed Directed By: Mick Jackson Running Time: 98 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616895417 Manufacturer No: 1005213 Product Description

Chattahoochee - what is crazy? what is right & wrong?

So granted this is an older movie, so it's not going to have that modern movie feel, but the concept is great: a Korean War veteran shoots out the neighborhood in an attempt to get murdered by police so his wife can collect insurance money (although she doesn't know about this plan). It goes awry and he ends up in this medieval mental prison ward out in the middle of nowhere. There were no rules or rights for any of the men in this camp and once the main character sees how they are being mistreated, he sets out to do something about it, losing everything he ever had (including his mind at some points) in order to bring about a change.

Gary Oldman in ANY role is beyond amazing, but to give him a character like this is always a treat and privilege to watch. But it is a little dated now, so I'd say only watch if you are a Gary fan.

(It should be noted to be on the lookout for the "Shoe Man" - aka the crazy guy obsessed with his shoe-- if you do buy this movie... he is hilarious!). March 28, 2008

"You're going to be locked up, until we find out if you are sane or insane."

Chattahoochee (1989) is a film inspired by true events of a man, after returning home from the Korean war, went crazy go nuts, got hisself locked up in a state loony bin, documented and reported all the abuses he saw and experienced, which eventually led to reforms of the system for public provided care of the mentally ill. Directed by Mick Jackson (L.A. Story, The Bodyguard), the film stars Gary Oldman (Sid and Nancy, Romeo Is Bleeding) as the Emmett Foley, a certified hero in the Korean conflict and a certified nut at home. Also appearing is Dennis Hopper (True Romance, Space Truckers), Frances McDormand (Fargo, Johnny Skidmarks), Pamela Reed (Cadillac Man, Kindergarten Cop), Ned `Squeal Like a Pig' Beatty (Rudy, Radioland Murders), and M. Emmet Walsh (Slap Shot, The Jerk, Blade Runner).

Emmett Foley ain't right in the head...or so it seemed that one, fine Sunday afternoon when he began randomly shooting up his neighborhood with a revolver. Strange thing is, he didn't seem to be trying to hurt anyone...but himself, and even that didn't work out too well, as the local police are terrible marksmen. Eventually Emmett turns his gun on himself, but the wound isn't fatal. While in custody, Emmet is deemed crazy, and transferred to Chattahoochee, a state mental asylum. His frustrated wife Mae (McDormand) can't even begin to understand what's going on, and neither can his family, including his sister Earlene (Reed). Upon arriving, Emmett finds the conditions at the state run facility deplorable, including overcrowded, filthy, roach infested barracks, no medical treatment readily available to the inmates, cruel and abusive guards, a neglectful and uncaring staff, harsh punishments, and food not fit for human consumption (I can honestly say I've never see a green pork chop until I saw this film). Now here's the kicker...seems Emmett's not crazy, at least no more than the rest of us, as his actions had a specific purpose, and therein lies the dilemma...the only way to get released is to be judged cured by the powers that be, but how can you be cured when you ain't sick? Anyway, Emmett, witnessing all sorts of abuses, begins documenting and writing letters to anyone who'll listen, becoming sort of an advocate for those who can't speak for themselves, eventually incurring the wrath of the institution's board in the form of electroshock therapy and daily doses of heavy sedatives, all while his sister is working desperately on the outside to get the attention of gooberment officials who might be able to save Emmett from the belly of the beast before it's too late...

I thought this film a decent one, but what I really enjoyed where the performances, especially from Oldman and Hopper, the latter playing Walker Benson, a convict who faked his way into the mental institution to get out of jail, hoping for easy time, I suppose, essentially jumping from the frying pan and into the fire...you see, in jail, you have a term you have to serve, and then you can get released, but in the loony bin, they can hold you for a long as they want, especially if you've got no next of kin, as was the case with Hopper's character. Actually, this aspect wasn't entirely clear to me, whether Hopper's character, along with a few others, got themselves admitted from the penitentiary to the nut house under false pretenses, or they were placed there as a means to alleviate an overcrowded system. I suppose it doesn't really matter, but it was question that stuck in my mind. I've found people either really like, or hate, Gary Oldman's performances, with few in between. As for myself, I'm a fan, as few actors I can think of get into a part as deeply as he does, accepting a vast variety of different roles, the only other, just off the top of my head, being Edward Norton. Hopper does an excellent job, providing a very controlled, restrained, realistic performance, something we don't get to see all that often, given his penchant for playing over the top villain types in a number of films, my personal favorite being the character Frank Booth from the 1986 David Lynch film Blue Velvet. My favorite scene in this film is when Emmett and Walker are lying in adjacent cots in the darkened barracks, and Walker is asking Emmett to describe some of his wife's more noticeable attributes, specifically her sweater puppies. Emmett, reluctant at first, eventually opens up, going into detail the difficulties in the sack he and his wife had after Emmett returned home from service, baring very personal and intimate details about himself, only afterwards to turn and see Walker had taken the bits he needed to satisfy himself through manual stimulation. Lovely...both McDormand and Reed also do very well, considering their parts were somewhat limited. One really strong scene worth sticking around for is when McDormand's character visits her husband, for the last time, breaking some particularly difficult news. With anyone else she might have appeared callous, shallow, and cold hearted, but McDormand really brought forth the frustration and anger within her character, one that obviously tried to understand the situation but finally gave up given the futility of the task, in terms of her character's capabilities. My only real complaint with regards to this movie was it felt like it was slightly abbreviated, especially given the story was meant to take place over a three or four year period. Perhaps the movie could have done with a little extra padding, but still, it's a very worthwhile, underrated film, worthy of a rental if you're interested in some superior performances.

The picture quality on this DVD release, in both the fullscreen (1.33:1) and widescreen anamorphic (1.85:1) formats, looks very sharp and clean, and the Dolby Digital Surround audio comes through well, with no complaints from me. The only extra included is a theatrical trailer for the film.

Cookieman108

If I learned anything from this film it's that Gary Oldman sings like an angel, at least when he's all doped up...also, if you find yourself incarcerated in a mental institution, do not conceal things up your backside because the guards will employ a rather unpleasant method to find whatever it is you're hiding. January 18, 2006

Moving

This movie is very moving. I saw this because I saw that Gary Oldman was in it and I will watch any movie he is in. I am glad I did, because this is one of his best performances, even as a young as he was. Based on a true story, Chattahoochee mainly takes place in an insane asylum. Dennis Hopper is also very effective as another inmate. The breadth of emotional range and display is amazing out of both actors. This movie also makes me wish Gary Oldman got more lead roles; he can carry a film like no other and is a much better actor than any one else out there (respectively). Anyone looking for a very deep, involving, emotional story that is based on true events should be looking here. February 11, 2005

Completely Biased, I Admit...

Truthfully, I know nothing of this movie's history, nothing of the actual events from which it was taken. However, considering the film for film's value alone, its strengths are easily indentifiable. Gary Oldman is absolutely brilliant. Any fan who simply loves to watch him work, loves to study each inflection of his ever changable features, will be in heaven just as I was. Though there are many movies of his I enjoy more - few display his breadth and depth so completely. He's nearly flawless here, and is present in almost every scene. Dennis Hopper is also uncomfortably believable, and the supporting cast was perfect (Frances McDormand, Ned Beatty, Pamela Reed).

For those whose attention won't be secured by Oldman alone, or who aren't generally intrigued by stories of mental illness or the usual "injustice within the system" scenarios, this film may hold little for you. I happen to like these kinds of films, and therefore didn't find it to be as bleak as critics nationwide promised it would be. There were some interesting visuals, some touching scenes, some disturbing scenes, etc. It had the rambling gait characteristic of "stories inspired by actual events," and moved at a steady pace, though I was annoyed when it ended upbruptly with an odd lack of closure. What I did find daunting could be perceived as a sign of the time it was made or perhaps low dvd quality - some of the editing and cinematography were poor, and there were warped voice-overs and dubbing.

Bottom line? It's a must for Gary Oldman fans or anyone who needs proof he can play someone other than a villain, a maybe for true story buffs who care more about studying human nature than facts, and probably a good one to overlook for anyone who's looking for a film that is, taken all-in-all, uplifting or cinematically impressive March 2, 2004

inspired by a true story

Although believed to be ghost written, the horrors described in Frances Farmer's autobiography, Will There Really be a Morning?, of her mistreatment in a Washington state asylum during her confinement in the 1940's are indicative of the barbarism directed towards those classified as mentally ill. If Graeme Clifford's 1982 biography of Farmer with Jessica Lange only touched upon the snake pit she was thrown into, his touch was far lighter than the sledgehammer approach favoured by Mick Jackson in his tale inspired by the true story of Emmett Foley's 4 years in a Florida asylum.
Even if social conditioning allows us to accept cruelty against men more easily than similar acts against women, it's hard to feel anything for treatment similar to what Farmer endured - including electric shock treatment and drug sedatives - when the director commits as many aesthetic offences as those he presents his characters suffering from.
The main difference between the Farmer case and the one made here for Foley is that Farmer never tried to expose the system. She only fought to remain alive and sane, and it's still not known whether she was eventually lobotomised. Foley observes the injustice of an asylum run like a prison, where men are said to be insane but given no treatment and thereby held legally, and smuggles out evidence which eventually leads to reform and his own liberation. This isn't a spoiler because the outcome is obvious from the beginning. Another difference between Foley and Farmer is that Foley was a medalled Korean veteran, so that his heroism is never in doubt, whereas Farmer's position was more the spoiled movie star with the misfortune of a monstrous mother.
Jackson's heavy hand is apparent in the thundering music score of John Keane, and the way his camera crowds in on the actors, providing claustrophobic closeups. Given Jackson's lack of subtlety, it's miraculous that Gary Oldman as Foley, Dennis Hopper as another inmate, Frances McDormand as Foley's wife, and Pamela Reed as his sister manage to still make an impression. In particular, Hopper is free of mannerism, and McDormand pleasingly glamourised, with a Monroe-wiggle and a quick tongue. August 12, 2001

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