Live from Baghdad (2002)
Facts
| Directed by | Mick Jackson |
| Cast | Michael Keaton, Helena Bonham Carter, Joshua Leonard, Lili Taylor, David Suchet, Michael Cudlitz, Kurt Fuller, Matt Keeslar, John Carroll Lynch, Bruce McGill, Michael Murphy and Robert Wisdom |
| Theatrical Release | December 7, 2002 |
| DVD Release | June 24, 2003 |
| Running Time | 108 minutes |
| MPAA Rating | Unrated |
| UPC Code | 026359202827 |
| Buy this item | $6.99 at Amazon.com As of Jul 5 19:12 EDT (details) 1 DVD, HBO Video, Usually ships in 24 hours, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC Languages: English (Original Language - Dolby Digital 2.0), Spanish (Original Language - Dolby Digital 2.0), English (Subtitled), French (Subtitled), Spanish (Subtitled), Spanish (Dubbed - Dolby Digital 2.0) Or 50 new from $2.54, 42 used from $1.88, 1 collectible from $10.99 |
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User Reviews
Average user review:| Fantastic movie! |
| Reaffirms my opinion |
There are many examples throughout the course of the movie. The obvious fear of the British child being held hostage by Saddam being reduced to merely being a great story. The members of the other networks basically saying that it is their job to tell viewers what is important and why. The CNN crew agreeing to keep quiet about atrocities they saw in Iraq and Kuwait to avoid being thrown out of the country (so much for "we report, you decide"). Weiner sympathizing with the Iraqi propaganda official despite the fact that a hostage he interviewed was kidnapped, most likely under the orders of the same official. And on, and on.
Bottom line, this movie does a splendid job of showing how most of those in the media are legends in their own minds who will stop at nothing to exploit any human tragedy and suffering in the hopes of making it big, although I'm sure that this is not what the makers of the film were going for. There is nothing honorable about them. They were, and are, vultures. May 18, 2006
| Sound and Fury |
Everyone is either on an adrenaline rush in this movie, or else is waiting it out in a tavern getting sloshed and sloppy. There is no happy in-between when any sane, informative reporting can take place. During their "on" periods, newscasters are seen rushing down corridors, pushing each other, jostling, jockeying to get the story before other broadcast networks can get it. And the story is usually some canned speech by Saddam Hussein or one of his cabinet members. People stoke their sense of self-importance by surrounding themselves with ringing phones. They agonize over power outages. It's all frenetic activity - signifying nothing.
Because when the War really starts, all that we get out of these many reporters' efforts are exclamations announcing another SCUD missile hit. We get "Wow! That was a big explosion! Wow, another one! The sky is lit up!" People risked their lives to tell the listening American public that a bomb just lit up the sky?
It seems there would have been opportunities for intrepid reporters to go out into Baghdad and get stories that would really have mattered - stories that would have enlightened the American public about the climate of opinion there, about conditions among Iraqi citizens, and about reasons for going to War or not going to War. But virtually nothing like that comes across. In the end, it all comes down to, "Wow, that was a big one!"
So I do think this movie is worth watching, but probably not for the reasons it was made. Instead of coming away from the film with an illustration of how good and worthy our reporters are, you, like me, may come away with an illustration of how far our news coverage needs to advance in order to be a really useful tool in the democratic decision-making process.
May 11, 2006
| Making Money Will Win Out |
It was said that the art of making movies is the art of the middle. Making a film basic enough so that most people can get the jokes and understand what is happening. Hollywood's objective is, obviously, to make enough money to cover the cost of producing a film and at the same time to turn a profit. So, it is understandable if not enjoyable that Mick Jackson makes the events that transpired in Baghdad into some trite love story; he is trying to appeal to a certain kind of crowd that is drawn to those tired old clichés. It is sad that most directors are concerned with making money first and getting their messages out second.
One thing, however, that Jackson does well is to portray the CNN reporters in his film as people with agendas. He does not try to fool the audience by having his characters spout garbage about "the people's right to know," he cuts straight to the bone with how Weiner is trying to get the ultimate story in order to advance his career. Overall the film works as an entertaining drama, but it provides surprisingly little information of the events surrounding the 1991 Gulf War.
February 8, 2006
| "People start dying when we stop talking" |
The production values are outstanding. You would almsot think they were filming in Iraq (in fact a lot of it was stock footage). The story is truelly great, if a little redundent, you know, cynical reporter finds his humanity in the middle of the war. But with Michael Keaton, Carter, Bruce McGill (as vetern war correspondant Peter Arnett) and most especially David Suchet, he dose an incredible job as Iraqi Information Minister Naji Sabri al-Hadithi by portreying him as a deeply patriotic man, very dedicated to his people and his country. This is a great film, I can not recomend it enough. January 13, 2006





