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The Believers (1987)

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The Believers
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Directed byJohn Schlesinger
CastMartin Sheen, Helen Shaver, Harley Cross, Robert Loggia, Elizabeth Wilson, Jennifer Lee, Richard Masur, Lee Richardson, Jimmy Smits and Harris Yulin
Theatrical ReleaseJune 10, 1987
DVD ReleaseAugust 27, 2002
Running Time114 minutes
MPAA RatingR (Restricted)
UPC Code027616878137
Buy this item$12.99 at Amazon.com
As of Aug 8 0:08 EDT (details)
1 DVD, MGM (Video & DVD), Usually ships in 24 hours, Closed-captioned, Color, DVD-Video, Widescreen, NTSC
Languages: English (Original Language)
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User Reviews

Average user review: 4.0 (20 reviews)

rating: 3 QuoteEveryone tries real hard(the reason for three stars) but this one sinks from not being a "Believer"Quote
The cast and crew work over time to sell this modern day voodoo tale, and for a few moments here and there they sell it very well,but the religion is mixed up and the horror is very thin when it all ends.
After the very graphic death of his wife(in front of his child no less) Martin Sheen moves to NY and our story of child sacrifice and voodoo rites begins. While the cast is good Jimmy Smites and Robert Loggia as a cops stand out in small but very nicely written roles. I know many people who love this movie, so if it sounds like you watch it, but don't say you weren't warned it gets very slow and BOREING. March 27, 2007

rating: 4 QuoteWhat do you believe in?Quote
Martin Sheen portrays a recent widower who unwittingly has been akin to a cult who are only interested in monetary gain and power believed to be derived from the sacrifice of a child. Disturbing visuals and great story telling. You hope that he can defeat the cult and free his son and with a surprise ending you will never see coming. Enjoy. March 10, 2007

rating: 4 QuoteBeLIEvers...Quote
Psychiatrist Carl Jameson {Martin Sheen} returns from his morning jog through the streets of an idyllic New York suburb to find deadly trajedy on that brisk dawn, while washing off in the shower, his wife is electrocuted by the coffee machine conducted by spilled milk at her feet. Hypothetically, all he would have had to do to save her life was to use a wooden broomhandle or an otherwise wooden tool to jar her from the current, and all would have been well. Instead, he and his son just scream as she convulses.

Now as a single father, he seeks the aid of a superstitious hispanic maid to help in keeping the house in order and babysit the child, but her meddling increases soon after she discovers Chris has come into 'possession' of a colorfully decorated conch shell found in Central Park at a bloody ritual scene including goat and cat victims*.

As an aside, some really nice shots of the Twin Towers, as well as a rock formation used in plenty of media spots, including the film Little Nicky.

After two mutilated human child sacrifices are discovered upon makeshift altars, Jameson decides to investigate Santeria & Voodoo, discovering the parallels of Orishas {Gods} masquerading as Catholic saints and deities, who were inregrated into these peasant religions during the slavery oppression to avoid further punishment. At the time, only they knew of their double-identites. Variations on these multi-cultural religions evolved according to race and tribe. In the movie, the script takes artistic license when a frightened character mentions "Brujeria", the Spanish word for 'witchcraft', more specifically in this context, 'dark witchcraft'.

Jimmy Smits plays cop Tom Lopez, who is tormented with the thought of the cultists acquiring his badge, a potent sympathetic connection, to which he degenerates to threatening other officers, paranoia and eventual suicide, when a remedy obtained at a botanica fails to alleviate his abdominal pain. A subsequent autopsy divulges serpents had filled his intestines as a direct consequence of a Palero {Witch Doctor} binding Lopez's shield with black cord and having a serpent slither upon it within a cauldron. Investigators target Oscar Sezine, the author of a book on these belief-systems, who now runs a children's center, who befriends Jameson, offering 'spiritual' help, and invites him to meet with some of his associates, inclusive of the charity's founder.

When Jameson walks in on the maid performing an exorcism on his son, he has enough and fires her, as well as smashing the holy bric-a-brac she began filling the house with. It is also mentioned that she had cast a love spell on he and Jessica Halliday {Helen Shaver, who incidentally, strongly resembles one Priscilla Barnes / Terri Alden from Three's Company; same actress different names?}.

The plot thickens when Jameson and Jessica Halliday attend a 'business convention' populated by prominant business people and socialites, inclusive most suspiciously, of parents of one of the children sacrificed! A telling clue to the influence of the cult which is confirmed when the Palero appears to perform the possession dance, selecting Halliday, of all people, transmitting orisha energy from his pale eyes into her. Eventually, Jamison is drugged and the nefarious plan unfolds which includes the sacrifice of his own son as well as his own introduction within the cult.** Fortunately for he and his son, a friend's forethought aids him in thwarting the murder, thus barely escaping with their lives, but not before a most impressive concluding scene wherein the Palero meets his demise after a long fall...

A final and most surprising twist reveals the pervasive presence of the dark orishas...

Probably inspirational to the subsequent film The Serpent & The Rainbow, The Believers is essentially a fictional cult movie displaying the psychology of 'true believer' fundamentalist types by whatever name, and its potentially criminal results.

_________
* "Sacrifice" is uneccessary in the practice of Magic, and is not practiced in Satanism {see page 89 in The Satanic Bible}. The primary ingredients are mental directive, timing, and emotional force, not blood-letting. Although according to Vodoun tradition, the animal is often used to feed the congregants afterwards.

** In Judeo-Christian mythology: shades of Abraham's near sacrifice of his son Isaac to Yahweh {Genesis 22:2}, as well as Jehovah's successful sacrifice of his own son jesus. Not to mention the countless animal sacrifices.

~> For factual information on Afro-Carribean religions, see the book 'The Haitian Vodou Handbook: Protocols for Riding with the Lwa' By Kenaz Filan, available at Amazon.com March 8, 2007

rating: 4 QuoteGood Voodoo ThrillerQuote
The Believers is a good one because they make it so, well, believable. Sheen loses his wife in a tragic and frightening appliance accident (yes, I know how that sounds) and the movie takes off from there. Jimmy Smits is excellent in a small, but pivotal role and Loggia is great as always. Some good paranioa, gross-out, and chills keep this one going. Highly recommended. November 10, 2004

rating: 5 QuoteVery Disturbing, Especially if You Have ChildrenQuote
John Schlesinger (Midnight Cowboy, Marathon Man, Sunday Bloody Sunday, Day of the Locust) delivers yet again in this suspenseful, hair raisingly chilling account of Devil Worship.

True, it might have helped feed the frenzy of anti-Wiccan, look behind every repressed childhood memory for pentagrams and blood chalices evidence in numerous '80s court cases, but as cinema, it is a very powerful, scary flick. One can only empathize with what the parents, played by Helen Shaver and Martin Sheen, go through, in the course of the movie. Both are highly convincing in their parts and the script doesn't venture into the banal or the ridiculous, so we the audience are caught up in their dilemma. They are powerless over the forces of darkness, and it is that feeling of hopelessness and dread, which really digs deep into the viewer's psyche, particularly if one is a parent, him/herself.

It's an acuumulative "you are there," "imagine yourself in their shoes" experiment in terror. The result is one of the best horror films of the decade.

To give away anything in the way of plot would be a huge disservice to potential viewers. Suffice it to say that the acting is uniformly excellent. You're in the hands of a director who knows how and when to build suspense. At no point do you have to strain to willingly suspend disbelief. Shades of "Rosemary's Baby," but no wholesale lifting. Certainly a lot more believable than "Eyes Wide Shut" in the Devil Worshipping scenes. Belongs in every horror afficianado's collection.

BEK July 6, 2004

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