Tart (2001)
Facts
| Directed by | Christina Wayne |
| Cast | Dominique Swain, Brad Renfro, Bijou Phillips, Mischa Barton, Alberta Watson, Lacey Chabert, Melanie Griffith, Myles Jeffrey, Sherry Miller, Michael Murphy and Scott Thompson |
| Theatrical Release | November 30, 2000 |
| DVD Release | April 23, 2002 |
| Running Time | 91 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 031398798828 |
| Buy this item | $8.99 at Amazon.com As of Oct 13 4:05 EDT (details) 1 DVD, Lions Gate, Usually ships in 24 hours, Closed-captioned, Color, DVD-Video, NTSC Languages: English (Original Language) Or 29 new from $5.31, 22 used from $3.99 |
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User Reviews
Average user review:| Quick and Perfect! |
| The Best |
| Low-Budget Indie.. |
NO..It is definitely not even in the margin of the best 200 Films you've ever seen, but it isn't THAT horrible. I thought Swain did very well in it. All of her actions in the film seemed real and justified. I agree some parts throughout the core of the movie made no sense, and made you wonder "Why was that even in there, or that doesn't even relate to anything in the story". But, there were a couple of good moments...the beginning & the end. (You will understand what I mean, if you've watched this film). I won't give it more than 1 and a half stars/2 stars, but I won't say watching this was a complete waste.
(As for the other actors-Melanie Griffiths part was almost merely a cameo, Mischa Barton did Ok, Lacey Chabert was her usual self, and Bijou Phillips was fair...But this definitely was one of Brad Renfro's worst.) November 3, 2005
| Why Even Bother?? |
Unlike the standard Swain film, "Tart" actually employed a competent and experienced production designer. Good enough to provide two extremely nice shots: the scene of Swain and Barton taking a bubble bath together and the scene of Swain in the park-featuring a nice montage of the "Alice in Wonderland" sculpture. The symbolism incorporated into these elements supports the possibility that Waye (despite the absence of a linear logic or unity of tone) actually has some visionary talent and aspirations for making a quality film.
It is even possible that Waye was trying for a fusion of the somewhat expressionistic "Metropolitan" and the camp classic "Cruel Intentions" both of which also dealt with the Manhattan upper class. There are many camera shots framed by windows and doors yet few tight shots of faces and eyes. The former technique hinting at symbolism and the latter at intentional distancing from the characters and their motivations. "Tart" seemed on the verge of veering into camp territory at least twice and would have been well advised to keep going in that direction. First there was the scene where they try to dump the seemingly deceased Swain into the garbage chute. Then there is the whole bit about her father being Jewish (played to the same extreme as Joel Grey dancing with the Jewish guerrilla in "Cabaret").
In her other films Swain's acting technique is to overwhelm each scene in which she appears (insert scenery chewing here) but in "Tart" she actually shows an ability to restrain herself. This is the best performance of her career. It also provides some clues about her physical deterioration from willowy super cute in "Girl" to hulking lumpy-faced in "Pumpkin". This transformation was about half-complete by the time she made "Tart"; so go the ravages of time.
Mischa Barton ("Sixth Sense's" I feel better girl) and Lacey Chabet are excellent in supporting roles. The rest of the cast is simply horrible, although some of the blame for this should go to Waye's script and direction.
Then again, what do I know? I'm only a child.
September 20, 2005
| Good Film - For Some People |
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