Driving Lessons (2006)
Facts
| Directed by | Jeremy Brock |
| Cast | Rupert Grint, Laura Linney, Julie Walters, Fay Cohen, Ruby Mortlock, Rupert Holliday Evans and Oliver Milburn |
| Theatrical Release | October 13, 2006 |
| MPAA Rating | PG-13 (Parental Guidance Suggested) |
About Driving Lessons
More down-to-earth than Auntie Mame, Driving Lessons imparts the same simple, but enduring message—be yourself. In the directorial debut from screenwriter Jeremy Brock (Mrs. Brown), 17-year-old Ben (Harry Potter's Rupert Grint, sluggish yet sympathetic) lives with his vicar father, Robert (Nicholas Farrell), and pious mother, Laura (Laura Linney doing a passable, but inconsistent British accent), in a tree-shaded London suburb. Soft-spoken Ben writes poems and looks forward to passing his driver's test. When his mother encourages him to get a job, he becomes an assistant to retired actress Evie Walton (Billy Elliot's Julie Walters, hunched up to look elderly). He finds her overbearing at first. Still, Evie is preferable to Laura, who may do volunteer work with her husband's parishioners, including bizarre boarder Mr. Fincham (Jim Norton), but also cheats on him with Reverend Peter (Oliver Milburn) and engages her resentful son in the subterfuge. Then Evie tricks Ben into driving her to Edinburgh for a poetry reading, where he learns to assert himself and she learns to put the dramatics on hold—at least for a few minutes. Ben also loses his virginity to a woman he just met, sending a secondary message some parents might not appreciate (the film's sprinklings of profanity earned it a PG-13). Driving Lessons itself seems stranded between coming-of-age story and character study. Ironically, Farrell gives the most convincing performance as Ben's bird-loving father. Engaging if uneven, this parable about hypocrisy and self-expression might have been more interesting if presented from his perspective. --Kathleen C. Fennessy
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Stills from Driving Lessons (click for larger image)
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User Reviews
Average user review:| What a pleasant surprise! |
| JEREMY BROCK, OPUS 1 |
| Awkward, coming-of-age dramedy |
Grint plays Ben, a 17-ish young man with an overbearing mother (Linney, though it's not her best work). Ben's mom, a priest's wife, makes it her personal mission to take care of all the aged people in their neighborhood, and she enlists Ben's help in caring for them. She also demands a strict schedule of driving lessons (administered by herself, of course) so that Ben can earn his license (which has been, thus far, elusive). Finally, she suggests that Ben get a summer job so that he can contribute his income to helping another one of his mother's projects - an older man who accidentally ran over his wife and is now living with them until he "recovers."
In this suffocating environment, Ben takes a job as the assistant to an aging actress, Evie (Walters). Evie is the original free spirit, mixed with equal parts vanity, insecurity, short temper, and loneliness. The two are oddly compatible, and Ben soon begins learning all kinds of things about life from Evie's quick one-liners and current struggles.
Though I thought the script could have been a bit tighter, and I thought that Grint's character could have undergone more meaningful change, I liked this film. Walters is amazing in it, and she clearly anchors the whole production. (With a lesser actress in this role, the whole film would have come tumbling down.) Grint has the hunched, insecure, shy act down pat, but I longed to see more of a transformation in him during the course of the film. Also, I would like to see Grint eventually play a character more dramatically different from Ron Weasley. If he doesn't do so, and soon, he will be relegated to this character type for a while.
Worth watching for the one-liners and for Walters' performance. August 31, 2008
| Better with the Coreys |
They should box up all of Julie Walters' scenes and use them to show young actors what unbridled scene-stealing is all about. Did she ever figure out it her character, Dame Evey Walton, is actually a dame or not, actually mad or not, actually dying or not, actually talented or not? Perhaps the screenplay and director dictated a fatal indecision about all these questions, in the name of keeping us guessing, but Walters' performance suffers because she doesn't have a bottom line, just a vicious need to surprise and outglow her competition. I used to think that Lily Tomlin singing with the black gospel choir in NASHVILLE was the last word in racialized exoticism, but Julie Walters makes Lily Tomlin seem like Mahalia Jackson.
As for Laura Linney's accent, it's pretty wild! Again, people used to laugh at Dick Van Dyke acting English in MARY POPPINS but she's got him beat, plus she's evil. English Christians are probably launching a blooming fatwa on Laura Linney as we speak. Sign me up, English Christians, Laura Linney is making you seem uptight, selfish, adulterous and ludicrous all in one go. July 30, 2008
| Ben Behind the Wheel |
Buy the DVD!
K. Distler 5-16-o8
May 17, 2008
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