The Private Life of Sherlock Holmes (1970)

private life of sherlock holmes

I would like to tell you about the great people that shared & helped in the private life of sherlock holmes. he was the best at solveing the crime that was against the law &then had to maked the guilted answer for their action's.they had done which were outside of the law and have justiced served.Checkout this movie i think you will enjoy it very much. October 30, 2008

The Human Side of the Most Famous Detective

This 1970's film directed by the genius of Billy Wilder, who made over 90 films in his life time, (not one a dud) adapted the film from the novel by I.A.L. Diamond, focusing on the human side of the most famous detective in history.

Robert Stevens as Holmes is more "real" for lack of a better term, as Wilder shows not only his genius but his addiction to cocaine, and his prudishness, typical of the times and an emotional side that most of us have barely caught a glimpse.

The term "Classic" has been bandied around a lot lately, even calling 21st century films, "True Classics." Well, this film was made in 1970, directed by a genuis who had been making films in Hollywood since the 1920's.

"Private..." has that good old atmosphere to it; a certain amount of irony and tongue and cheek to keep the most cynical intrigued because it doesn't take it self too seriously...a melodrama yes, but something of old Hollywood in the love story. Sorry, but Holmes falls in love and in the books, it was only hinted at once. (I hope this is not a spoiler, but an aspect of the film, (particularly Holmes fans and film lovers' generally to see the film again or seek it out.)

Colin Blakely as Dr. Watson is one of the most funny and charming interpretations of the character that has been done...not over the top, but funny and reveals a great concern for his unusual friend.

A True Classic, The Private Life of Sherlock Holmes IS a gem and should be in every Holmes fan's DVD library.

Excellent.
April 29, 2008

A truly great movie even in its present form

A long-time dream project for Billy Wilder, beginning life as a musical, going through several years of rewrites and casting proposals - at one point even a vehicle for Peter O'Toole and Peter Sellers until the director found both impossible to make a deal with - before going into production as a hugely expensive $10m budgeted three-hour plus roadshow picture only to be cut down to little over two hours when exhibitors refused to book the uncut version, The Private Life of Sherlock Holmes is something of a legend in itself. The whereabouts of all the elements for a full restoration has long defied the finest minds in film restoration, adding a layer of mystique and what-if? to the film's reputation.

The best way to watch The Private Life of Sherlock Holmes is to forget what could have been and marvel at what is left. For all its problems, even in the heavily cut version that was eventually released, this is one of Billy Wilder's greatest and certainly most heartfelt achievements - and a pretty good yarn as well, throwing missing dwarves, dead canaries, Trappist monks, Swan Lake, Sherlock's mysterious brother Mycroft, Queen Victoria and the Loch Ness Monster into the mix, as well as an amnesiac woman who rouses more than Holmes' professional curiosity, to tragic results.

Throughout, Wilder presents a much less self-assured vision of the great detective than had been seen before. In the opening scene he castigates Watson for the expectations the Doctor's stories in Strand Magazine have instilled in the public, and the film proceeds to ultimately explore that painful gap between expectations and reality with no mercy to the character's feelings but much compassion.

Where to Watson's spirit of adventure, all things are possible, to Holmes all things can be disassembled and found wanting. There's real pain, loneliness and despair behind his façade of dry wit. Robert Stephens' Holmes is a genuinely tragic figure, a victim of his own intellect whose descent into becoming a thinking machine is more an act of self-defence at his poor judgement in matters romantic. The final shots of him reaching for a shot of cocaine to hide a broken heart are one of the most haunting images of its era.

Colin Blakely's Watson too is a great creation. He is never mere comic relief or the all-too-familiar buffoonish stereotype but a fully realised figure pained by his inability to deal with his friend's drug use (and discomfort with being his unwitting supplier). There's a humanity, familiarity and genuine emotional interdependence to their partnership that most other screen pairings have missed, aided immensely by some remarkable writing. If there's such a thing as a script so sharp you could cut yourself on it, then parts of this could cause fatal injury. To quote every good line would mean typing out half of the script, and certainly the entire Bolshoi Ballet where Clive Revill's impresario makes an unusual business proposal to Holmes. But it's not all highbrow. Example: "Who's that at this hour?" "Maybe Mrs Hudson is entertaining?" "Really? I've never found her so."

But more than amusing dialogue, this is a film which has been clearly thought through in every detail - at one point, Holmes' is even glimpsed through a haze of smoke as boredom clogs his mind. Even though Wilder's visual imagination is limited, the film is sumptuous to look at, particularly in its proper widescreen ratio, but for many, the major impetus for buying this DVD will be the location of the soundtrack (but not the picture) for the original opening half-hour of the picture (including The Case of the Upside Down Room) and the picture (but not the sound) for The Dreadful Business of the Naked Honeymooners.

The weight of expectation that comes with what has thus far been located of the missing footage is, in truth, more than two of the episodes can bear. The real gem is The Curious Case of the Upside Down Room, less for the case itself but for what it tells us about the relationship between Holmes and Watson, precipitating a crisis that is only resolved by deceit on Holmes' part (Holmes' admission to Watson is very affecting). It's also the only deleted section that seems to serve a real purpose in the film's design. Neither the original opening scene in the train, more of a skit than anything of significance, or The Dreadful Business of the Naked Honeymooners advance the plot or illuminate the characters, being little more than overextended, very mildly amusing sketches.

The supplementary section is also mildly disappointing, not because of the effort put in by the producers of the original laserdisc who collated many of them: again, it's a case of decades of expectation working against it. The laserdisc included an early draft script which was intriguing - apparently almost everything was filmed - but also contained some crudely misplaced elements. Mycroft's line about the last doctor who warned him about his gout falling on an orange peel and breaking his neck originally replaced the fruit with a very unconvincing use of the word 'turd,' while the original addenda to the ending, with Lestrade asking Watson if Holmes will help solve the Jack the Ripper case, seems particularly lame. However, for this DVD release only script and stills montages for the deleted scenes are included.

The stills archive is good, although it is a shame that it limits itself to purely colour shots. However, there is far too little of the pressbook for those who want to know more about the film. For some reason a panned-and-scanned version of the quite brilliant but spoiler-heavy trailer has been used, and a well-worn one at that (note to newcomers to the film: avoid it until you've seen it, as it gives away two major plot twists). A lengthy on-camera interview with editor Ernest Walter is also included, although be warned that he gets one detail wrong (it is indeed Jenny Hanley who played Holmes' university `sweetheart' in a lost flashback sequence), while, exclusive to the DVD, there's also a 15-minute interview with Christopher Lee. The isolated music track of Miklos Rozsa's superb score that was on the laserdisc is NOT included on the DVD (the track was problematic: with the masters long lost, a dubbing mix track was used with the volume varying wildly).

Picture quality is somewhat disappointing, especially compared to the laserdisc - a bit soft and definitely in need of a remastering. December 30, 2007

What Might Have Been...

The film that was released is an amusing Holmes pastiche, but when you take the time to review all the extras and get a sense of Wilder's intentions, you'll realize that this could have been a masterpiece. Poignent and farcical "movements" blend together seamlessly. It should be added to the ranks of "The Magnificent Ambersons" as a tragic loss. December 16, 2007

Highly underrated Holme's tall tale

Billy Wilder's genius comes through again in this more diverse look at Sherlock Holmes. Fundamental Holmesians may be appalled because this story looks at a couple of Sherlock's flaws. But most people will appreciate that after all he was human and these flaws will actually endear him more to the majority of people. The story itself is quite enteratining as Sherlock looks for a missing husband and encounters cutthroats, spies, and government red tape as he tries to get to the bottom of a couple mysteries. Engaging with superb directing, acting, scenery, sets, and music. Overall a real treat. Although I certainly enjoy the realistic Holmes movies like "Murder by Decree", I find this movie more fun to watch. I plan to purchase this DVD. The dvd is decent quality but contains no extras. December 10, 2007

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