Things You Can Tell Just By Looking At Her (2000)
Facts
| Directed by | Rodrigo GarcĂa |
| Cast | Glenn Close, Cameron Diaz, Calista Flockhart, Kathy Baker and Amy Brenneman |
| Theatrical Release | November 30, 1999 |
| Video Release | December 26, 2001 |
| Running Time | 109 minutes |
| MPAA Rating | PG-13 (Parental Guidance Suggested) |
| UPC Code | 027616858726 |
| Buy this item | $14.98 at Amazon.com As of Nov 28 4:34 EST (details) 1 VHS Tape, MGM (Video & DVD), Usually ships in 24 hours, Closed-captioned, Color, NTSC Languages: English (Original Language) Or 14 new from $0.48, 15 used from $0.01, 3 collectible from $14.98 |
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User Reviews
Average user review:| Choppy |
| I wonder what time dwarves go to bed? |
When my wife brought this home, I looked it over and thought I was in for a long night. The emotional troubles of women, the shallow men who flirt and dump, the oppresive this, the glass-ceiling that. Well, did I get a surprise. My male, againg, Christian soul received a bit of a shake.
This film is indeed about women who've made some bad choices. And are in the process of realizing it. Some do better after this realization, some, apparently, do not. Much like real life. Those wake up calls often get the snooze for many years. We allow ourselves to be fooled because we need the affection, the praise, the prestige, or the glory. And find ourselves feeling used, ignored, or humiliated. But far too often the way we cleanse that soiled feeling is to do the same over again. Ask the domestic violence counselor who's seen the same woman in multiple abusive relationships. She knows better. He knows she knows better. Yet the alarm is turned off repeatedly.
There are many small jewels in this film. To reveal too much would spoil a carefully crafted tale. But this is a film intelligently at odds with the lifestyle portrayed in most cinema, where "I am the most important person" and "I need to follow my heart" and "I need to be funny and cool and hip and ironic and cynical." These are normal people who have lived mostly normal lives and found themselves somewhere other than where they'd like to be. May 21, 2008
| Things I'd Never Have Seen Except Through Luck |
"blockbuster" of whatever length. I found these by pure luck, and am astonished by my good fortune. January 28, 2007
| Feels like a Prequel to "Nine Lives" |
1. "This is Dr. Keener": We meet a woman named Dr. Keener (Glenn Close) who is taking care of an elderly woman. A fortune teller (Calista Flockhart) arrives at her house and predicts her future.
2. "Fantasies About Rebecca": Rebecca (Holly Hunter) discovers that she's pregnant; Meanwhile, she has sex with a co-worker (Matt Craven) and chats with a homeless woman.
3. "Someone for Rose": A children's book writer named Rose (Kathy Baker) watches as a dwarf named Albert (Danny Wood) moves in across the street; as her son Jay makes a shocking revelation.
4. "Good Night Lilly, Good Night Christine": The most affecting of the vignettes, is the story returning the fortune teller Christine (Flockhart) who watches as her lover Lilly (Valeria Golino) dies.
5. "Love Waits for Kathy": A detective named Kathy (Amy Brenneman) deals with loneliness, while her blind sister Carol (Cameron Diaz) bonds with a man named Walter (Matt Craven).
In a nutshell, there's the synopsis. While all the vignettes are affecting, I think the most entertaining one is "Someone for Rose"; While, as I said, the most affecting is "Good Night Lilly, Good Night Christine." Holly Hunter delivers the best performance in the movie, while Glenn Close is completely understated and Cameron Diaz delivers one of her best performances. The biggest problem with the movie, although it has very few flaws, is that some of the vignettes drag on too long, but it's not Garcia's fault...It's his first movie. He does a show an amazing talent for going into a woman's life for a few moments and making something out of it. This is a good film, it's not a great film but it's definitely worth checking out.
GRADE: B+
June 27, 2006
| VERY good... |
Luckily this film does not pretend to offer any great sweeping bromides, it just takes us deep into the inner lives of the five women featured here, all played magnificently.
This is a film that stays with you and invites repeated viewings, precisely because it does not provide neat, easy answers but rather respects the mystery and impenetrability of each individual's experience. April 29, 2006
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