Cut (2000)
Facts
| Directed by | Kimble Rendall |
| Cast | Molly Ringwald, Frank Roberts (IV), Kylie Minogue, Geoff Revell, Jessica Napier and Simon Bossell |
| Theatrical Release | November 30, 1999 |
| DVD Release | May 8, 2001 |
| Running Time | 82 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 031398754923 |
| Buy this item | $12.99 at Amazon.com As of Aug 14 4:36 EDT (details) 1 DVD, Lions Gate, Usually ships in 24 hours, Closed-captioned, Color, DVD-Video, Widescreen, NTSC Languages: English (Original Language) Or 21 new from $8.58, 22 used from $3.23 |
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User Reviews
Average user review:| Decent Little Aussie Slasher Flick |
This was on TV tonight, and I was ready to put a DVD on, when this started airing and said it was a horror movie. I figured it might be OK so I started to watch it. I rolled my eyes and reached for the remote when I saw it was an Australian made film.
However, I thought the blond on screen looked pretty cute, and was watching it for the first few minutes for reasons other then caring what the movie was about. Then Kylie Minogoue shows up on screen and I nearly barfed every where. I was about to turn it off and start watching something else, when all of a sudden Kylie's character is killed. And it brought a smile to my face, so I figured I would give this movie the benefit of the doubt and watch it a bit more, cause there would be no more damn Kylie in the film.
By the time the thing was finished, I thought, there where things I did not like in the movie, but overall, I thought it was OK, and beleive me, I don't give generous reviews to a lot of Australian movies cause of the absolute garbage they produce here and get praised for it like it's a masterpiece of independent film making that shows Australia can produce terrific films, but always seem to have stereo type accents, a tin shed and muscle car out in the middle of no where.
The plot to this movie is 12 years ago from the date this was supposed to be set, a film was being made called Blood Shed or something. The director is killed (Kylie, YEAH, YEAH, SLASH HER) and the film is never finished.
12 years later, the daughter and her friends from film school buy the rights to finish the film. Only to discover the curse is true, and the killer is back.
In all honesty, it kept me watching, but I did not like the main killer guy being so much of a rip off of Jason Voorhees and Michael Myers combined, however, they did have a pretty good and simple look for him that I think works well... however, if they where going for the rip off of Jason and Michael, they should have kept this killers mouth shut. When he speaks, it just does not seem right, his accent should be that of a demon or something evil if he is going to speak, not sound like someone auditioning for play school.
I had to laugh when I saw Stephen Curry in this, I killed myself laughing when he was on screen trying to look serious, and all I could do was laugh and say, "He's in a horror movie, bwuahahahahaha" cough, anyway..It was one of those movies that really did get better by the ending, and in the final scenes, I even forgot I was watching an Aussie movie and was just into the action of it all. Just too bad whats-her-face didn't get taken out by the B-Grade poop head when he douses her in gasoline. She became more annoying as the film went on, and ya really wanna see her killed off, but oh well, at least Kylie was killed early enough in the film for me to keep watching, cause if she was in any more of the film i'd have turned the whole thing off in disgust, so thumbs up for showing our fantasies on film :D
June 20, 2008
| This Cut badly needs stitches. |
| Put a band-aid on this Cut |
| Derivative--but ain't they all? |
The plot: A bunch of low budget filmmakers studying their trade at a university learn from their instructor, who just happened to work on the project back in the day, that an unfinished horror movie called "Hot Blooded" carries a most peculiar curse. The original director perished at the hands of a disgruntled co-worker, and ever since then anyone attempting to finish the film suffers a similar fate. Being inquisitive, bold filmmakers, the kids in his class take a vote and decide to try and finish the film. They even go so far as to acquire the rights and the completed reels from an elderly woman who, predictably, issues dire warnings that go unheeded. They also procure the services of the original star of the film, the pampered and egotistical Vanessa Turnbill (Molly Ringwald), to pick up where she left off. With nothing but a dream and a few minor, uninteresting subplots, the young filmmakers head out to the original remote location to shoot their film. And wouldn't you know it? Before you can say, "that's a wrap" the crew starts dying off in particularly violent ways. The killer goes around wearing the garb of the villain in the film, just as he did when the murders first started all those years ago, and the movie lets us know right from the start that anyone and everyone could be the one behind the mask.
A killer clad in black, a bunch of red herrings, and plot twists and turns all point to the possibility that "Cut" may well fall within the parameters of an Italian giallo film. If only we could be that lucky. What we have here is your standard, by the numbers slasher film. Problems of metaphysical dimensions abound in this film. First, you've got a cast so big it could fill out the crowd scenes in a Cecil B. DeMille epic. There is the director Raffy Carruthers (Jessica Napier), the producer Hester Ryan (Sarah Kants), the cinematographer Damien Ogle (Sam Lewis), sound guy Rick Stephens (Stephen Curry), wardrobe chick Cassie Woolf (Erika Walters), boom operator Paulie Morrelli (Matt Russell), electrician Jim Pilonski (Steve Greig), and make up artist Julie Bardot (Cathy Adanek). Guess what happens when you have this many characters in a quickie slasher film? Yep, you guessed right; we spend so much time trying to remember who is who and what they are doing that we lose track of the film. With so much cannon fodder milling around it's quite difficult to flesh them all out in a way that makes us care about them. We barely have time to learn someone's name before they fall under the murderous attacks of the killer. The script tries to engage by throwing us a few bones, namely the old relationship jealousies between a few of the characters, but none of it really matters. Or helps.
The only interesting aspect of "Cut" concerns Molly Ringwald. It's been decades since "Sixteen Candles" and "The Breakfast Club" swept over the country like a tidal wave, and the intervening years haven't been too kind to Molly. She continued to make films, mostly in Europe, after her career faded in the United States. Occasionally we see her in a made for television movie or even a series, but she has more or less gone the route of fellow brat packers Judd Nelson, Emilio Estevez, and Andrew McCarthy. I can say this about Molly Ringwald in "Cut": she's as attractive as ever, if not more so since she's a bit older these days. Unfortunately, her performance as the volatile Vanessa Turnbill hits new heights in histrionic overemoting. I'm not sure if the character called for ham handed acting or not, but Ringwald saw the part as an opportunity to go over the top and never come back to earth. Maybe she didn't like the script and just decided to throw caution to the wind with the part, or maybe she's lost the skills she once showed in her teen flicks, but her performance in "Cut" definitely comes in somewhere near the bottom of her filmography.
Trailers for "Cut," "Attraction," and "Blood Surf" are the only extras on the disc. "Cut" is a film that would probably appeal to slasher completists more than any other segment of the viewing public. If you like watching films with titles like "Slash," you'll find something to like here. Wait a minute, I like watching films with titles like "Slash" and I didn't find much to like here at all. Oh well, give it a shot if you simply must watch everything horror. Others would do well to give this one a pass.
January 7, 2005
| BLOODY CUT |
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