Shirley Jones, Claramae Turner, Robert Rounseville, Cameron Mitchell, Barbara Ruick, Robert Rounseville, Richard Rodgers, Oscar Hammerstein II, Gordon MacRae - Carousel (1956 Film Soundtrack)
Facts
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Carousel (1956 Film Soundtrack)
Music Price: You save 18%! As of Jan 8 18:56 EST (details)
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| Artist(s) | Shirley Jones, Claramae Turner, Robert Rounseville, Cameron Mitchell, Barbara Ruick, Robert Rounseville, Richard Rodgers, Oscar Hammerstein II and Gordon MacRae |
| Studio | Angel Records |
| Release Date | March 13, 2001 |
| UPC Code | 724352735228 |
| Buy this item | $13.99 at Amazon.com As of Jan 8 18:56 EST (details) 1 Audio CD, Usually ships in 24 hours, Soundtrack Or 35 new from $9.98, 15 used from $5.50, 3 collectible from $16.98 |
About Shirley Jones, Claramae Turner, Robert Rounseville, Cameron Mitchell, Barbara Ruick, Robert Rounseville, Richard Rodgers, Oscar Hammerstein II, Gordon MacRae - Carousel (1956 Film Soundtrack)
Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi Amazon.com
Tracks
- Introduction
- Main Title: The Carousel Waltz
- You're A Queer One, Julie Jordan
- When I Marry Mr. Snow
- If I Loved You
- June Is Bustin' Out All Over
- June Is Bustin' Out All Over Ballet
- Soliloquy
- Blow High, Blow Low
- When The Children Are Asleep
- A Real Nice Clambake
- Stonecutters Cut It On Stone
- What's The Use Of Wond'rin'
- You'll Never Walk Alone
- Ballet
- If I Loved You (reprise)
- You'll Never Walk Alone (Finale)
- Carousel Waltz (LP version)
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User Reviews
Average user review:| So perfect |
and there that Iwould never cry under his beltings again.
He whipped me 'til his belt broke and I would not give him the satisfaction of one tear.
But this music...and this movie... draws out what
the belt could not. It gets me every time. I fight it and the
tears well up on their own...what a perfect tragedy this movie
is, how haunting the music. Gordon McRae was such an artist.
His singing is perfect and inspired in these songs --- and
Shirley Jones complements him so well. I fell in love with her
Julie at first sight. If you haven't got this music or this
movie, you are missing out on one of life's greatest treasures. November 5, 2007
| Complete Version |
Thank God this version has a lot more music including the complete seven minute version of The Carousel Waltz I believe the movie itself doesn't play the whole waltz October 2, 2007
| Gordon McRae At His Finest |
Only soundtrack more comparable is "Okalahoma." August 23, 2007
| AWESOME!! |
| MacRae and Jones soar in this tragic R&H musical |
MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.
If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.
However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals. February 11, 2007
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