Don Quixote (2000)
Facts
| Directed by | Peter Yates |
| Cast | John Lithgow, Bob Hoskins, Isabella Rossellini, Vanessa Williams and Lambert Wilson |
| Theatrical Release | April 9, 2000 |
| Video Release | February 6, 2001 |
| Running Time | 120 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 053939832136 |
| Buy this item ... | 2 new from $49.99, 8 used from $13.49, 1 collectible from $42.99 |
About Don Quixote
Somewhere in the great wlsewhere there is a higher calling, a nobler ambition. Don Quixote is sure because he's read so in books about chivalry. But aged Quixote is not merely content to read. So he adorns himself in armor, takes up a makeshift lance and rides off to set the world right. Peter Yates directs from a script by John Mortimer and serves up a dreamy array of special effects both subtly and grandly scaled. Why would Quixote engage windmills in battle? Better yet, why not? To see the world through his eyes is to embrace life as the fullest adventure.
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User Reviews
Average user review:| Average with inapropriate casting of Dulcinea |
| The best Quijote production ever |
| Not the man I know |
To begin with, John Lithgow's performance is condescending and farcical. He behaves like a buffoon. A close reading of Cervantes suggests that Alonso Quijano is respected and taken seriously by his friends, niece, servant, and neighbors. Even though errant knighthood is a thing of the past in his time, deference - however grudging - toward the nobility is not. In this movie, though he is addressed with respect by those he encounters, he is too readily taken for a fool. The book makes it clear that Don Quixote, in spite of his delusions, preserves his characteristic gravity and noble bearing. His interlocutors are, for the most part, inclined to believe and respect him until his excesses refute their initial bemusement. This sequence of reflexive trust followed by sudden realization is part of what makes the book so funny. On the other hand, the erudition that is the cause of the gentleman's mental and physical divagations makes possible his beautiful "Golden Age" speech, delivered to goatherds who are perhaps too pastoral to conclude that something is terribly wrong with their guest. Similarly, his madness does not keep him from discerning the essential truth of Marcela's defense, unlike his simple companions who continue to berate her. Lithgow is unable to bring any of this complexity to life. The role called for someone like the late Richard Harris, who could have provided the seriousness, capriciousness, and labored determination it requires.
As for Cervantes' Sancho Panza, he is so in awe of his master's self-professed greatness that he allows ambition and admiration to subvert clear evidence of the nobleman's insanity. To use an example that few readers seem to proceed beyond - though it takes place very early on - Sancho's faith allows him to dismiss Don Quixote's attack on the windmills as failed perception, not delusion. His goal of seeing himself governor of an island has hardly been dealt a blow. Bob Hoskins' rendition, on the other hand, does not convince us that any of this is going on in the squire's mind. He seems too sly for the role of a faithful rustic.
I wish I could say that this is at least harmless entertainment, but it's not. If you watch this without having first read the book, you are likely to come away wondering what all the fuss is about, and believing that notions of what constitutes humor invariably go out of style - so Chaplinesque is Lithgow's performance. I have not been able to make up my mind as to whether Don Quixote or Hamlet is the greatest story ever told, but had I not read either, Zeffirelli's Hamlet would have encouraged me to read the play, whereas this production, which is barely an improvement on Three Amigos, would persuade me that my time could be better spent.
March 16, 2008
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| Why isn't there a DVD, Region 1 version of this movie?? |
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