The House on Carroll Street (1988)

A tense and well made thriller!

"The house on Carol Street" is a bold look about these tense times of furious McCarthyism (1951) in which a young assistant refuses to answer certain information that's why she must be fired. Once the decision ahs been made, she has to earn her life, and decides to take as job as reader of a crusty employer (the unforgettable Jessica Tandy), by just $15 by week.

But trying to get the exact address, she meets a man who behaves nervously, that will be the thread that will lead her to get involved with a Nazi smuggling web that surreptitiously deals with undesirable refugees. On the road she will be involved in a fugacious love affair with a FBI agent. Mandy Patinkin is fabulous as the main villain in this likable film directed by the talented Peter Yates, that knew to impress all the possible realism that certainly remits us to Hitchcokian sequences (as the well made one in Central Station).

Recommended.
January 28, 2008

An engaging, good-spirited thriller thanks to the two appealing leads and the influence of Alfred Hitchcock

When Emily Crane, a photo editor at Life Magazine, refuses to turn over to a Senate committee the names and files of a civil rights organization she's associated with, she doesn't realize she'll soon be out of a job and probably the cause of a young German being stabbed to death. That's not the least of it. Soon she'll be refusing a great hamburger while a senior Senate committee staff man uses catsup on a white dining clothe to illustrate the red menace. And finally, she'll find herself clambering over the interior catwalk of New York's Grand Central Station dome, high above the floor, while killers try to insure she trips. To my mind, The House on Carroll Street is a solid and talented, if not exceptional, child of Hitchcock.

The year is 1951 and anti-Communism hysteria is in full bloom. Congressional demagogues, black-listing and secret FBI files abound. When Emily (Kelly McGillis) loses her job, we learn she's under FBI surveillance. Agent Cochrane (Jeff Daniels) has been assigned to take secret photographs of her, find out who she talks to and to follow her about New York. He observes when, in need of a job, she is interviewed by Miss Venable (Jessica Tandy) to read to the old lady. And one afternoon, relaxing in the townhouse garden of Miss Venable's home, she overhears part of a conversation in German coming from the next house. Naturally nosy, she moves closer through the bushes, glimpses the face of a young German fellow she accidently met a day or two before on the street...and then sees the face of the Senate staff head, Ray Salwen (Mandy Patinkin). Salwen was responsible for hauling her before the committee. Something is not right. A few days later she follows the German to a Jewish cemetery and finds him writing down the names of dead Jews. He seems scared. Before long, she is helping him escape from the house on Carroll Street, only to see him stabbed to death in front of her. By now, FBI agent Cochrane not only realizes something is very off, he realizes Emily Crane has nice legs, is quite likable and may be in danger. He's puzzled when he is warned off by his superiors and then taken off her case. In solid Hitchcockian style, we have been following this nice and nosy woman while she slowly discovers skullduggery and then realizes that she has placed herself at great risk. And in equally solid Hitchcockian style, we have met the man in agent Cochrane who with persistence and humor will attempt to keep her from danger while joining her in uncovering a plot that deals with German war criminals and powerful men in high places.

The movie has well-directed set pieces, ranging from a covert meeting in a huge, dim Greenwich Village book store to a spooky breaking-and-entering into the now abandoned house on Carroll Street (where Emily meets a man with a knife) to the exploration of the tunnels below and the girders high above the Grand Central main station. Most of all, it has two instantly appealing main characters in McGillis and Daniels. Both are completely natural in their portrayals. They have guileless faces. We immediately like both of them. Daniels in particular shows the kind of open-faced honesty that makes the movie so satisfying. The caveat I have is Mandy Patinkin. He is a forceful, intense actor. Patinkin makes Salwen a creature of such supreme self-confidence, such repellant humor that Salwen doesn't just stand for the evils of the period, he disgusts us. Patinkin's self-serving, power-justifying Salwen, full of phony patriotism and contemptuous high spirits, in my opinion very nearly overbalances the movie. Patinkin is just an inch away from becoming a caricature. Added to that are two speeches that Patinkin is given to justify his actions. Unfortunately, they move over into manipulated melodrama. The speeches are so over-the-top they tend to place the movie on hold while Patinkin gives them. However, the screenwriter is Walter Bernstein, a talented man who was black-listed for years. I'm more than willing to cut him some slack.

I think The House on Carroll Street is a well-crafted semi-romantic thriller which doesn't use explosives (well, there's one), cynicism or cumbersome back stories. It has two attractive and likable leads, a plot with a message or two which keeps moving along and a bit of humor. It also has a happy ending which, in one regard, may be unexpected. The DVD transfer looks fine. It's not anamorphic. There are no extras. May 17, 2007

Disappointment

Watched this DVD several times and lost track of the plot. Actually,I bought it because of the final scenes in Grand Central Terminal showing areas which are not open to the public. November 6, 2006

Could have been a made for TV movie. Very Average.

It started out with so much promise. It's the Mc Carthy era & paranoia rules. Kelly McGillis gets caught up in it & loses her job. With time on her hands she stumbles onto what becomes a plot to smuggle Nazi into the country. Meanwhile she is being harassed by The FBI. Agent Jeff Daniels gets friendly & she enlist him into what she has discovered. He helps her in his spare time & falls for her(who wouldn't). Mandy Patinkin is pleasently evil. There is a gratuitous shot of Kelly's breasts while she is in the shower. Maybe the high point of the movie. Actually she pulls off being a career woman of the 50's very well. Lots of slow spots, & a silly chase in the rafters of Grand Central Station. It's only 101 minute longer but seemed longer. Maybe I can squeeze 21/2 stars. July 23, 2004

Maybe I Am Easily Pleased

I just watched this movie again last night, having watched it before when it was first released. My motive for writing this review is to add one positive contribution to this collection of downward pointing thumbs.

Well, yes, it is sort of an ordinary cloak and dagger film, but I enjoyed seeing a female lead character who was gutsy, a lady who didn't follow the stereotype of the ankle sprainer who has to lean on the big strong man for protection. Actually it is a good thing that Kelly McGillis isn't prone to ankle injuries, because she certainly does a lot of running in this flick. She just seems to be in a hurry wherever she goes, and trots along at a good clip even when she isn't being chased. Sometimes I felt I was watching another version of Run Lola Run.

Anyway the time period is the Joe McCarthy era, and Kelly loses her job because she refuses to name names to Congress. By chance she discovers some strange happenings that indicate maybe there are some ex (current?) Nazis inflitrating her pleasant neighborhood. Well the FBI is involved, too, and the chase is on. Evil people flit in and out, and surprises happen when people open doors.

Admittedly the tale is sort of muted Hitchcock, and not particularly exceptional in its plot, but I found it to be a pleasant thriller to watch. I must also confess that I was mesmerized by Ms McGillis's breathtaking beauty. She was about 30 when this movie was made, and, gosh, I just fell in love with her. March 4, 2004

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