Meet John Doe/A Farewell to Arms (1941)
Facts
| Directed by | Frank Capra and Frank Borzage |
| Cast | Gary Cooper, Barbara Stanwyck, Edward Arnold, Walter Brennan, Spring Byington, Stanley Andrews, Irving Bacon, James Gleason, Sterling Holloway, Warren Hymer, Gene Lockhart, J Farrell MacDonald, Rod La Rocque, Andrew Tombes, Regis Toomey, Pierre Watkin and Charles C Wilson |
| Theatrical Release | May 3, 1941 |
| DVD Release | February 28, 2001 |
| Running Time | 192 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 807013000726 |
| Buy this item | $9.99 at Amazon.com As of Jul 20 20:29 EDT (details) 1 DVD, MARENGO FILMS, Usually ships in 24 hours, Black & White, DVD-Video, NTSC Languages: English (Original Language) Or 7 new from $3.49, 5 used from $1.99 |
About Meet John Doe/A Farewell to Arms
195 minute double feature film DVD.
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| Gary Cooper Classics |
A FAREWELL TO ARMS
"I'm afraid of the rain because sometimes I see me dead in it. And sometimes I see you dead in it." -- Helen Hayes
Frank Borzage had a romanticism and sensitivity to his silent work matched by none, and when sound came along he continued to put a delicate touch on films that required something more than just direction. With Hemingway's "A Farewell to Arms" he brought this romantic tragedy to the screen with a dark and foreboding glow. Gary Cooper and Helen Hayes portray the doomed couple battling for moments of happiness while bombs explode everywhere around them.
Cooper is Frederic, an American driving in the Italian Ambulance Core who meets and falls in love with lovely Katherine (Helen Hayes). She is a nurse and both are simply trying to outlast the reality of war, any romantic notions crushed long ago by the parade of damaged young men. Borzage uses Charles Lang's photography to frame their old-fashioned romance against images of the first war which engulfed the entire globe. Rather than a grand film about war, however, Borzage makes his point by creating a warm and intimate glow to a romance filled with sweet moments of love, yet surrounded with doom.
Through a timid kiss on a public street, a gift of a shared St. Anthony necklace to guard her sweetheart from harm, Katherine's romantically embellished description of her shabby hotel room when writing her love, and a marriage ceremony on a hospital bed where they pretend they can smell orange blossoms on the wind, Borzage creates something timeless while at the same time showing that true love once meant something. When Frederic comes back after their first time together, the viewer knows long before he gets there it is because he needs to let her know it really meant something to him.
Adolphe Menjou is Frederic's misguided party pal who can't understand and tries to interfere, then has a change of heart and helps them reunite under dangerous circumstances. For those who haven't seen it, I won't ruin the experience with too many details. The final shot of doves shot against the heavens has much the same effect as Borzage's "Three Comrades." This old-fashioned and tender film is an early sound masterpiece anyone with a romantic heart will enjoy.
MEET JOHN DOE
"I've been lonely and hungry for something practically all my life."
Long John Willoughby
This Frank Capra film, unlike others he had made, leaned more towards drama than humor. Though there is humor, and many charming moments involving Gary Cooper and Barbara Stanwyck, the tone of the Robert Riskin screenplay has more serious implications than Capra's other films. For that reason, and perhaps because the prints of this film are not as good as the others, "Meet John Doe" sometimes gets unfairly dismissed when Capra's films are discussed. This was the meat in what many call "Capracorn."
Barbara Stanwyck is Ann Mitchell, a reporter whose paper is gobbled up by D.B. Norton (Edward Arnold). Desperate to keep the job which keeps her mom (Spring Byington) and two young daughters afloat, she writes a column pretending she has received a letter from a "John Doe" who, because of the injustice in the world, the state of civilization, and the downtrodden, plans to kill himself at Christmas.
A groundswell of support for John Doe gets Ann her job back, but now she and boss Connell (James Gleason) must find a "John Doe." In walks Long John Willoughby (Gary Cooper), a hungry baseball player with a bad wing. He and his pal, Colonel (Walter Brennan), are just hungry enough to play along. Colonel has reservations from the get-go, however, afraid that Long John will become a helot--a guy with a bank account.
Long John just wants to earn enough to get the arm he injured pitching a 19 inning game fixed by Bonesetter Brown, but his shy affection for Ann keeps him around long enough to make a radio speech, written from words in her father's diary. His speach spreads the John Doe movement all across the country. It is the crusty Colonel who sees the train wreck coming, however, and takes off.
Clubs start up everywhere, only the "little" people allowed to join. People start treating their neighbors with kindness, showing the spirit of Christmas on a day-to-day basis. D.B. Norton, however, has political aspirations, and sees a way to twist the movement to fit his ambitions. It is Henry Connell who clues in Long John on what is about to happen, letting the air out of his balloon and shattering his smitten image of Ann, with her chestnut hair and great legs. What follows, as the country discovers John Doe was a fake, will lead Long John to a rooftop overlooking the city on a snowy Christmas night.
Stanwyck is wonderful here, as Ann slowly comes to realize she has found a man like her father but may have helped to destroy him. Cooper is memorable as Long John Willoughby, a shy ball player who realizes he has come to stand for more than he ever could have on the pitching mound. Brennan is his usual great character, looking out for Long John as much as he can.
There are some warm and sentimental moments between Cooper's Long John and Stanwyck's Ann mixed in with the social drama, and some charm as well. Cooper's scene with Ann's mom, whose help he needs to ask her daughter to marry him, has a sweetness to it that is long gone from today's films. And the baseball scene in a hotel room, when they play pretend ball, is a classic.
This is a wonderful film about the little guy that sometimes gets analyzed too much. All Capra was trying to do, was remind people that the first John Doe came a long time ago, and people still weren't listening. A couple of terrific films to own. May 23, 2008
| REMASTERED IN - 2006 |
I believe you will find both of these prints highly satisfactory and in fact we believe they are the VERY BEST ON THE MARKET.
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Marengo Films August 13, 2007
| Digitally Remastered and as good as new! |
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