Woman of the Year (1942)
Facts
| Directed by | George Stevens |
| Cast | Spencer Tracy, Katharine Hepburn, Fay Bainter, Reginald Owen, Minor Watson, William Bendix, Edith Evanson, Sara Haden, Roscoe Karns and Harry Wilson |
| Theatrical Release | January 19, 1942 |
| DVD Release | September 19, 2000 |
| Running Time | 112 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 012569509726 |
| Buy this item | $17.99 at Amazon.com As of Jul 20 16:49 EDT (details) 1 DVD, Warner Brothers, Usually ships in 24 hours, Black & White, Closed-captioned, DVD-Video, NTSC Languages: English (Original Language), French (Original Language), German (Original Language), Russian (Original Language), Spanish (Original Language) Or 42 new from $8.95, 19 used from $7.39 |
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User Reviews
Average user review:| Perfection! |
| Craig's Wife |
But the film is not an unqualified success. The kitchen disaster scene towards the movie's end is cliched and just too darn slow. The flying toast, the boiling over coffee and that cussed watched pot that keeps boiling over are enough to try the patience of almost any contemporary viewer. Tracy is consigned to shameless mugging throughout the entire proceedings. Probably not his fault. I'm sure he was dutifully taking direction. But director George Stephens' sense of pacing--so effective in the baseball scene--fails him here.
The entire scene seems lifted from a THREE STOOGES short and is totally out of place with the sophisticated tone of the rest of the film.
Many have pointed out that the shift from breezy comedy to near-melodrama is a bit jarring at times. I would have to say that the writers deserve some credit for making the script a bit more nuanced than it might have been otherwise. Hepburn's change-of-heart at her father's wedding is not entirely convincing, but interestingly enough Tracy is not entirely convinced either. He calls her out on this very point. Is it a true change of heart or merely another of her many self-dramatizing whims?
And speaking of whims, am I the only viewer who found the segment with Chris, the young Greek orphan, kind of disturbing? That Kate's ambitious Tess Harding character would feel almost obliged to adopt a young refugee (and foist the child on her unsuspecting husband) is dubious enough. That she would neglect him on top of that, however, risks making her once charmingly eccentric character almost monstrous.
In fact, I kept wondering about the kid even after the big reconciliation scene between the principles. Did anyone think about going back to the orphanage and fetching the youngster and maybe starting a "real" family. By the film's end, you feel that Sam and Tess Harding Craig are coming to terms with themselves and their marriage. They get to start anew,and you're glad for them. But what about that poor kid?
June 18, 2008
| Katharine and Spencer at their very best! |
This movie matches the perfect story with the perfect team! Sam Craig and Tess Harding work for the same newspaper company. He covers sports; she covers the war. So when he overhears a radio program on which she says that American should give up baseball and turn their full attention toward the war effort, a dispute arises in the newspaper between their columns. But when the two of them meet, Sam is immediately drawn to her. He takes her to a baseball game where he tries to explain to her the fundamentals of the sport. As they spend time together a romance blossoms and they get married. Things begin to crumble, though, as Tess struggles to juggle both her demanding career and her marriage.
This movie leaves no doubt why Katharine Hepburn and Spencer Tracy are the incredible team they are! April 15, 2008
| wonderful film....how it all began..... |
What works so well, here, is the combination of human drama and warm humor. You also feel the true (and believable) love between the couple and it doesn't feel so much as a movie as a tribute to the relationship of two incomparable actors. For more great Tracy and Hepburn films, I reccomend that you see ADAM'S RIB, GUESS WHO'S COMING TO DINNER, and PAT & MIKE. August 22, 2007
| Ho-Hum |
The basic premise of the movie is that you have a romantic comedy dealing with role reversal--the woman, Hepburn, is the successful one who's worried about her career, and the man, Spencer Tracy, is the second banana with the unimportant job. Both of them are reporters working for the same paper, but this movie doesn't have any of the snappy dialog you might see in a movie like "His Girl Friday."
The premise of the movie was probably original for it's time, but the problem is the execution. For one, the movie is two long--nearly two hours while most comedies are around 90 minutes. And that extra time isn't filled with good dialog or screwball scenes...instead you get a few long, drawn out attempts at romance that just seem to go on for too long. It doesn't hold your interest.
That isn't to say it's a bad movie--it's just somewhat forgettable. Tracy and Hepburn both had great careers and made several classic films--many of them together--this just isn't one of them.
December 24, 2006
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