A Merry War (1998)
Facts
| Directed by | Robert Bierman |
| Cast | Richard E. Grant, Helena Bonham Carter, Julian Wadham, Jim Carter, Harriet Walter, Richard E Grant, Lill Roughley and Liz Smith |
| Theatrical Release | August 28, 1998 |
| DVD Release | June 1, 1999 |
| Running Time | 101 minutes |
| MPAA Rating | PG-13 (Parental Guidance Suggested) |
| UPC Code | 647715072023 |
| Buy this item ... | 7 new from $29.97, 6 used from $26.43, 1 collectible from $58.25 |
Website Links
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User Reviews
Average user review:| Why is this out of print? |
| Overlooked and weird |
| Good adaptation of Orwell's novel; reservations with the ending |
| A Merry Romp |
| "...cold beef and salad." |
2. Who and what were the cultural influences the screenplay is alluding to?
3. Who were their authors in that time, what did they write about?
4. What were the economic trends? What about reform movements and society?
5. What is the symbolism of the toiletries manufacturer New Albion?
6. What is the symbolism of George's nicotine addiction and chain smoking?
7. The class struggle of one man is followed, what is his main conflict?
8. How does the movie progress the resolutions to the dilemma?
9. What does that say about the objectives of the film makers and the times in which the movie was made and what markets it approached?
10. What was the artistic movement (to the film and its creators), its origins, duration, successes, and prevalence?
11. Regarding question 10, what was it attempting to influence, who were its audiences, and how did they participate in what those performers had achieved?
12. What guidelines to role taking behavior implicitly or explicitly define audience reaction and appropriate feedback?
13. Are there equivalent norms of cultural exchange, or is there indication of caste separatism putting on a display?
14. Try to estimate both sides of the previous question or arbitrate examples for both; if equal then in what way, if role taking inhibitive then for what exclusory purposes?
15. Why do those artists need America?
16. Why does America need those artists?
17. What is the tragedy or irony of appreciating artwork while realizing some inner misgivings or irreverence for its token of esteem?
18. Define the afferent ennui and the efferent ennui, (your previous answer will have to avoid use of the word `ennui').
The following questions focus on the practical reference resources to acquiring solutions to this research:
20. Here is a short reading list for this assignment. Which would be the more immediate encyclopedic routes to ascertaining the film's setting, its period and influences: The entry for...Bertrand Russell, Edward VIII, John Stewart Mill, English literature, or Communism?
21. How did you identify the film's time period?
22. What does your historic gauge say about your cultural literacy or fascinations?
23. Compare your impressions of the film, before you researched the question set, to your sense of its communication afterward.
24. What effect does cultural literacy have on determining the receptive complexity of the film viewer?
25. Do most films and movie going behavior stimulate a desire to read more and what to read?
Bonus Questions---
26. Give the title of the film starring William Defoe where he plays T. S. Elliot.
27. What did that film impress on its audience?
28. What does the incorrect modal logic of Cambridge's Andrew Wile's alleged proof of Fermat's Last Theorem say about the pretense regarding the last question?
29. Apart from `Brave New World', what did Aldous Huxley write about?
30. Combine questions 29 and 27 regarding `Brave New World', then translate your apprehensions or clues to the factual modern period. Since this is an essay question, be specific, account real history and it effects.
31. In what other film does Richard Grant play an art skeptic? July 27, 2006
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