Lou Reed - New York

New York is arguably Lou Reed's greatest hour as a solo artist. A song-cycle about his beloved city in the '80s, Reed adopts a conversational tone to discuss politics, AIDS, romance, TV preachers, and whatever else is on his mind. While his voice never ranges far, the album kicks into high gear with the twin guitar attack of Reed and Mike Rathke, which takes simple, three-chord rock into a truly transcendent space. "Romeo Had Juliette" cruises like a cab down a bumpy avenue, while "Strawman" curls with rage. Like the city that gives it its name, New York never rests. --Rob O'Connor Amazon.com

most over rated reed album

Dirty Boulevard is cliched and sounds like Lou coasting. Whenever
he tries to sound tough it bores me rigid. Romeo had Juliet. No kidding? along with tea and toast probably.
The fun, exciting, belligerent Lou is not here. That's back on 'Take No Prisoners' and the smooth honest melodic one isn't either that can be found on 'Coney Island Baby'.
Lous' photograph book of N.Y.C.is much more enjoyable than this L.P. Keep up the good work there man!
Lou Reed is a great place to visit but I wouldn't want to live there.
January 8, 2009

One of his Best!

Lou Reed is one of those artists that you either loathe or love. I would highly recommend this to any Reed fans, but then again they are more than likely already on board. If you are a curious music enthusiast looking for something different, this may be a good album to cut your teeth on. This album came out at a point when for the umpteenth time you thought Lou had rode off into the sunset. Lou is a master of the critically acclaimed album that had miserable public sales == New York was one of the exceptions both critically acclaimed and actually saw air time on FM stations. KLM December 16, 2008

Powerful Social Commentary - and innovative musical sound

I make no bones about it. For a long time when I listened to Lou Reed, I just never got it. For some reason, I always had Reed pigeon-holded as a one hit wonder artist (i.e. "Walk on the Wild Side") with a cult following. Let's also face it, when it comes to vocals, Reed isn't going to be mistaken as an all-time legendary vocalist. Then something changed - I heard Reed's "Dirty Blvd" from his 1989 album, "New York". This song just got me. I don't know if it was whether it was the guitar work, the sociological lyrics that told the story of a boy named Pedro living in a world of poverty or abuse, or simply Reed's narrative-style vocals. Whatever it was, this song had me hooked and for the first time, I began to reconsider what Reed as an artist. Usually when a song gets me, I immediately seek the album. When I put "New York" in for a listen, I discovered something even more - a conceptual album. I typically love conceptual albums with a theme and in this case, Reed sings about many songs about New York City and the issues that affect the people in New York. I also saw an album that was not your standard "cookie cutter" 1980s pop synth. This is an album that clearly was an innovative album with a variety of music styles and deep lyrics to go along with it.

One thing that I like about this album is that Reed encourages you to listen to the album as a whole. In the liner notes, Reed makes a comment, "It's meant to be listened to in one 58 minute (14 songs) sitting as though it were a book or a movie. Many artists construct albums like this, but I haven't seen an artist recommend this to the listener. I've put a synopsis of each of the songs below to give some recommendations or pointers of things to look for from a musical perspective. Conceptually the picture of society painted by Reed is not a positive one.

"Romeo Had Juliette": While the chorus may indicate this is a song of two lovers living in New York named Romeo and Juliette, this song is loaded with sociological references to New York City. Listen to Reed's references to the crack dealers, a cop getting shot in Harlem, and the polluted Hudson River - he definitely paints a grim picture in the pre-Rudy Giuliani New York City. The guitar work is simply outstanding.

"Halloween Parade": This is one of several songs on this album with a country-western sound. However, once again the references are right back on New York. Lots of references to streets in New York such as Christopher Street, Avenue B, and Avenue D. Under the title it says AIDS, and Reed also references several times "to be here without you". Reed's narrative style vocals are outstanding.

"Dirty Blvd": As mentioned, this song tells the story of a boy named Pedro living in a world of poverty and abuse. Reed uses the narrative style vocals to almost make the story sound three-dimensional. Reed once again makes references to landmarks in New York City such as 39th Street and the Lincoln Tunnel. Look for some great background vocals from Dion Di Mucci toward the end of this track.

"Endless Cycle": Another country-western sounding track. While this song isn't loaded with New York references, Reed hits the themes of alcoholism and drug use on this song. Once again using the narrative vocals makes this story three-dimensional.

"There is No Time": This is the strongest track on the collection. Reed switches gears an opts for a high energy guitar jam with terrific percussion. This song is more political as Reed says this is no time to rest on your laurels. In particular the last line of the song, "This is a time for action, because the future is within reach".

"Last Great American Whale": Reed uses his narrative style to discuss the plights of the environment and of the Native Americans.

"Beginning of a Great Adventure": This is a more personal song as Lou discusses the Great American Dream and in particular dreams of having a family. The references to Lou's name and his wife give this a personal touch. Perhaps the best part is the blues sound to the song.

"Busload of Faith": Another blues sounding song. Reed sings about not being dependent on others. While Reed sings about having faith, he also does criticize religious establishment on this track.

"Sick of You": This song might be the most country-western sounding on the collection. Reed references "Staten Island" as a part of New York, but also references social figures of the time such as Oliver North, Morton Downey, the Ayotollah, and the Trumps. Pretty much the title of the song is how Reed feels about a lot of them.

"Hold On": Very much a New York themed song. The turmoil of Howard Beach in 1986 and Bernard Goetz are all referenced in this song. Mike Tyson, who grew up in New York is referenced here.

"Good Evening Mr Waldheim": This might be the most political song on the album. Reed criticizes the Pope (some might take offense), Kurt Waldheim, and most notably Jesse Jackson (lots of references to his "Common Ground").

"Xmas in February": Reed goes back to the sociological issues and discusses the plight of the Vietnam veterans. Great work as Reed weaves his his narrative style on this song.

"Strawman": Great Anthem-ic Rock sounding song. Filled with lots of socio-political commentary. The hard rock sound is great.

"Dime Store Mystery": This is tribute the Andy Warhol - whom Reed had an association with. However, the analogy to the crucifixion might be too much for many people.

Overall, this is a powerful album. It definitely is one of the better albums from the 1980s and not your cookie-cutter music. Highly recommended. October 2, 2008

Paradigm from the South

I bought this album on cassette in 1988 from a mom amd pop record store on the seeming advice of a Rolling Stone critic whose name I do not recall. In retrospect, this album was named one of the top 100 of the '80's by that aforementioned magazine. Anyway, the reviewer was accurate in his description of Reed's work. Being from the South, a small rural town in Georgia, I know almost nothing of the realities of New York City so Mr. Reed's truths are quite possibly wasted on my limited insights. Movies offer only sketches of dramatized truth. I can assert, however, that Lou Reed's "New York" is one of the best albums throughout that I've ever heard. Mr. Reed and his band garage rock from provincial musing to provincial musing with no seams, no falterings. This CD, album, tape whatever one wishes to refer to it as is brilliant, showing no weaknesses at any point. There are no best songs, only tone driven ambiance - songs for moods and inclinations. Finally, as Mr. Reed states in the liner notes, this is an album to enjoy in one sitting, as an entire work. Yet, if one is driving to his/her neighborhood convenience store, "Strawman" is a great listen when the sun is going down and a refreshing chill is in the air. This album has no comparisons. It is a meshing of alternative, guitar driven rock with poetry. It contains no wedding reception or dinner party songs. October 19, 2007

My First encounter with lou

This is an exelent Album, very harsh, very personal, this is the firs Lou Reed Album I ever got, and what a way to start. June 15, 2007

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