1776 (1969 Original Broadway Cast)

Evidence that one can make a musical about anything, Exhibit A: 1776. As one might expect, the whole concept of making a musical about the creation and signing of the Declaration of Independence was greeted in the late 1960s with, well, ridicule. The show debuted on Broadway in 1969, and three years later, when its run finally ended, it was its producers who had the last laugh. In addition, it toured for an additional two years and beat out Hair (in 1969 yet!) for a Tony Award. This recording, with the original Broadway cast, includes many of the same actors who went on to star in the film, the version with which most audiences today are probably familiar. One notable exception is Rex Everhart, who replaced Howard da Silva at some performances and on this recording. But there's still William Daniels as John Adams, though in some cases his performance is more subdued than it was on film. Musically, 1776 is an odd creation, considering when it came into being. As one might expect, there's a lot of fife and drum going on, especially in the opening number and during "The Lees of Old Virginia." For those less than familiar with the plot, it hinges on the idealism of Adams, who's trying his best to back up the American Revolution with some legislative action, and spends much of his time arguing with either the Continental Congress or God, as in "Piddle, Twiddle, and Resolve": "A second flood, a simple famine / Plagues of locusts everywhere / Or a cataclysmic earthquake / I'd accept with some despair / But no, you sent us Congress / Good God, sir, was that fair?" (One could argue that he gets further with God.) While not entirely historically accurate, and containing some rather peculiar numbers (Franklin, Jefferson, and Adams sitting around debating what their new country's national bird is going to be ranks among the oddest), there's no questioning 1776's staying power. --Genevieve Williams Amazon.com

Mildred Kaye's review of 1776 CD

1776 is of my all time favorites. I love flavor of the music of the 18th century in the development of the songs.

This is a very powerful exposition of this seminal episode in the history of America.

1776 gives life to the familiar historical figures and reminds us of their courage. They are all educated and at least upper middle class men who, by signing the Declaration of Independence, are putting their heads in a noose. If the war had gone otherwise, they would surely have been hanged as revolutionaries. April 18, 2008

A wonderful experience

I have played this album over and over again since I was 10. This was my first Broadway musical (my dad took me for my 10th birthday), and I still thrill to the vocal performance of William Daniels. The songs remain witty and inspirational, particularly the stirring "Is Anybody There?" and the dynamic "The Egg," one of the great showtunes of the 1960s and absolutely thrilling -- the thought of three Founding Fathers singing about their dreams for the future of the United States is simply captivating. "He Plays the Violin" is another beautiful number, made poignant by the lyrics' forshadowing of Martha Jefferson's early death. January 22, 2008

Sound Quality not perfect on CD

This is a new CD, overall quality and amazon procedure were excellent. The CD itself on a few songs fails to provide enough amplification to the background chorus or secondary singer, thus I must strain to actually hear both duet parts, with the latter almost inaudible. For example, Lee's of Old Virginia, Till Then, and Who will write our new declaration. It is not in my players, but within the CD. I actually ordered this because I wanted Violin by Betty Buckley and am satisfied with the reproduction overall, but it also has the audio problems with Adams and Franklins lines within the song July 18, 2007

Before Sondheim's COMPANY and after MAN OF LA MANCHA...

For me, 1776 is a great companion to MAN OF LA MANCHA as one of the most entertaining AND intellectually worthy amalgams of music, lyrics, book, theme, plot, characterizations and dialogue to ever come out of pre-1970's Broadway musical theatre. Each song is like a little gem, and displays the broad range of emotions and ideas with which 1776 brims. Satiric, romantic, hilarious, heartbreaking, disturbing, dark, inspiring, thoughtful, humane, and even a little bawdy, the songs glide and tromp all over the map, as does the show itself. As with LA MANCHA, 1776 broke open the Broadway musical, making it a pitch-perfect example of what can truly make a musical more than a toe-tapping time killer... while never becoming tedious, pompous, windy, or dull. If anything, it crackles with suspense.

And as to the reviewer who was shocked that it would win out over HAIR? Listen to "Mamma Look Sharp" or "Molasses to Rum to Slaves" to hear exactly the play's political and often-unflattering ideological landscape. This was definitely a Vietnam-era play whose content was as disturbingly pertinent, then, as it is, now. And, despite all of this, the score and play never become leaden or preachy. On the contrary, each performance is a gem, and each character is witty and unique. Who knew that history could be a passionate and fun adventure? April 29, 2007

Overrated Tony Award Winner

How could this musical win the Tony award having as a competitor a play like HAIR which - for many people - stands as an emblematic theatre piece of the 60's? Who remembers a tune out of this musical? On the contrary, "Aquarius", "I Got Life" or "Walking in Space" are still popular and they play all over the world. Even ZORBA and PROMISES PROMISES - both candidates for the award in the same year - have songs that are still remembered. 1776 may wake up patriotic feelings to American listeners which is quite understandable but the music and songs are old-fashioned, overrated and awfully boring. June 16, 2006

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