Duke Ellington - A Concert Of Sacred Music From Grace Cathedral, 1965
Facts
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A Concert Of Sacred Music From Grace Cathedral, 1965
Music Price: $20.99 As of Jan 8 21:33 EST (details)
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| Artist(s) | Duke Ellington |
| Studio | Status Records |
| Release Date | August 20, 1997 |
| Buy this item | $20.99 at Amazon.com As of Jan 8 21:33 EST (details) 1 Audio CD, Usually ships in 24 hours, Live Or 17 new from $13.52, 5 used from $14.07 |
About Duke Ellington - A Concert Of Sacred Music From Grace Cathedral, 1965
Tracks
- In the Beginning God
- Will You Be There?
- Ninety Nine Percent
- Ain't But the One
- New World A'coming
- In the Beginning, God II
- Heritage
- The Lord's Prayer
- Come Sunday
- David Danced Before the Lord With All His Might
- The Lord's Prayer II
Similar CDs
| Second Sacred Concert | Love You Madly/A Concert of Sacred Music at Grace Cathedral | Sacred Music of Duke Ellington | Three Suites | Black, Brown and Beige |
User Reviews
Average user review:| Beware |
| How long, oh Lord? |
Besides the 2nd Sacred Concert, Ellington had made progress on a 3rd before his death. We can only hope that some American recording company assembles the best of all three and releases them in the format they deserve. Ellington's sacred music concerts--as well as the nature of his religious faith--is poorly understood, even by sympathetic critics and staunch supporters. But it is highly worthy Ellington, representative of his inimitable genius. Without it, his ouevre and life (which in itself is a work of art) is incomplete. December 24, 2002
| Required Ellington, Regardless of Spirituality |
In all seriousness, this is some of the most spiritual work Ellington ever composed and it shows greatly in listening. I personally am not the biggest fan of "christianified" popular music, but Duke Ellington had a certain right to do what he saw fit with "his" music. In this regard this is one of his most significant works.
It begins, appropriately, with 'In the Beginning', a nice mix of spirituals with jazz, and a nice soothing vocal by Brock Peters. This is followed by an interlude containing the rather perky recitals of the books of the bible. Not my favorite component of the work, but this IS a spiritual work. Great sax and trumpet work however, by Paul Gonsalves and Cat Anderson, respectively. A reprise of the "books" theme brings the piece around again, and some great drum work here by none other than Louis Bellson is well worth noting.
'Tell me it's the Truth' features a nice swinging horn section and a happy romp through the southern sprituals with awesome vocals by Esther Marrow! BEAUTIFUL!!
'Come Sunday' was almost a given to be included in the Sacred Concerts. Esther Marrow again performs with all the feeling of Mahalia Jackson.
'The Lord's Prayer' is a strong hand on any listener's forehead, again sung by Esther Marrow. Great rhythm and swing for this emotional spiritual.
'Come Sunday' is next reprised in a nice, more subdued version, to complete it's role in the concert and lend a theme to the work in an instrumental, vocal-free way. Well worth the purchase price alone to hear yet another Johnny Hodges miracle on saxophone. PERFECT!!
'Will You Be There? Aint But THe One' is a choir-heavy challenge to the listener and a one-on-one discussion, between Jimmy McPhail and the listener, to look at our own inner spirituality. Followed by a swinging spiritual walk through Duke's world of jazz and the lord. Great stuff here.
'New World a Coming' is perhaps the most refreshing ingredient in the performance. This beautiful Ellington suite is always welcome and finds a strong position here in the Sacred Concerts. Duke plays the theme statement in an aggressively beautiful way, leading us to come to understand the work as one of upbeat hope and forwardness to all that awaits us in our future. One of Ellington's best recorded versions and quite possibly one of his best recorded piano performances ever.
'David Danced before the Lord...' features Bunny Briggs tapping away a wonderful introduction of a reprised 'Come Sunday' choired theme and a great rhythm section. Unparalleled arranging by Ellington here once again proves his mastery at his craft. If this doesnt get you to swing than nothin will.
This edition has been remastered from the original recordings and features a bonus track in "The Lord's PrayerII".
This concert is perhaps one that grows on the listener like no other. Listen to it once, its good, listen to it twice, its better, listen to it three times and you may begin to find it more beautiful than you ever imagined. Thank you Duke. January 11, 2002
| Required Ellington, regardless of spirituality. |
In all seriousness, this is some of the most spiritual work Ellington ever composed and it shows greatly in listening. I personally am not the biggest fan of "christianified" popular music, but Duke Ellington had a certain right to do what he saw fit with "his" music. In this regard this is one of his most significant works.
It begins, appropriately, with 'In the Beginning', a nice mix of spirituals with jazz, and a nice soothing vocal by Brock Peters. This is followed by an interlude containing the rather perky recitals of the books of the bible. Not my favorite component of the work, but this IS a spiritual work. Great sax and trumpet work however, by Paul Gonsalves and Cat Anderson, respectively. A reprise of the "books" theme brings the piece around again, and some great drum work here by none other than Louis Bellson is well worth noting.
'Tell me it's the Truth' features a nice swinging horn section and a happy romp through the southern sprituals with awesome vocals by Esther Marrow! BEAUTIFUL!!
'Come Sunday' was almost a given to be included in the Sacred Concerts. Esther Marrow again performs with all the feeling of Mahalia Jackson.
'The Lord's Prayer' is a strong hand on any listener's forehead, again sung by Esther Marrow. Great rhythm and swing for this emotional spiritual.
'Come Sunday' is next reprised in a nice, more subdued version, to complete it's role in the concert and lend a theme to the work in an instrumental, vocal-free way. Well worth the purchase price alone to hear yet another Johnny Hodges miracle on saxophone. PERFECT!!
'Will You Be There? Aint But THe One' is a choir-heavy challenge to the listener and a one-on-one discussion, between Jimmy McPhail and the listener, to look at our own inner spirituality. Followed by a swinging spiritual walk through Duke's world of jazz and the lord. Great stuff here.
'New World a Coming' is perhaps the most refreshing ingredient in the performance. This beautiful Ellington suite is always welcome and finds a strong position here in the Sacred Concerts. Duke plays the theme statement in an aggressively beautiful way, leading us to come to understand the work as one of upbeat hope and forwardness to all that awaits us in our future. One of Ellington's best recorded versions and quite possibly one of his best recorded piano performances ever.
'David Danced before the Lord...' features Bunny Briggs tapping away a wonderful introduction of a reprised 'Come Sunday' choired theme and a great rhythm section. Unparalleled arranging by Ellington here once again proves his mastery at his craft. If this doesnt get you to swing than nothin will.
This concert is perhaps one that grows on the listener like no other. Listen to it once, its good, listen to it twice, its better, listen to it three times and you may begin to find it more beautiful than you ever imagined. Thank you Duke. January 2, 2002
| This music really is sacred! |
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