THE first thing that attracted me to this movie was the title,I found it very interesting.THIS MOVIE is very exciting and good.After I saw it I always told people about it and cant get it out of my mind.Everyone had the same reaction I did when I said the title.I CANT SLEEP wow!
April 2, 2003 |  | A Unique and Exotic Experience |  |
This is one of my favorite films. It's definitely in my top 10 list. I first saw this film in 1998, and it made me want to go to Paris. Just watching this film, you actually feel like you're there in this strange, odd, and artsy underground world
in Paris. The music is dreamy and exotic and so are the strange mix of characters; French, Russian, African. The interwining stories are bizarre and interesting.
I've been a fan of Claire Denis ever since I saw this film. She's quite talented and grew up in France and Africa. Her understanding and realistic portrayls of Africans and peoples of the African dispora is refreshing and tres gentil.
I would recommend you watch this unique film. October 12, 2002
I believe that people who search for the director's point or meaning to the overlapping stories in "I Can't Sleep" only do themselves a disfavor. This film, with its dreamy music, pensive acting and odd flavor seems more about the lack of a point. All the plots in this film have connection, yet nobody in it really connects, and there seems to be very little meaning for any. This can be a frustrating film experience; but overall, leaving it so empty, the beauty is that the viewer is forced to fill in his or her own details and use his or her own brain. Definitely not a film for all, but those who like challenging, slow-moving and very pensive material... you can fo much worse. Also check out Nenette et Boni, an even better film by the same director, and Beau Travail, a beautiful tone poem of an adaption of Billy Budd, still by Claire Denis.
March 26, 2001 |  | An interesting film for those not obsessed with tidy plots |  |
"I Can't Sleep" is an odd film--with a plot about a number of overlapping stories, about people who live on the margins of Parisian society. The story is not so much held together by a continuous or integrated methodology, but rather between the tension of the external urban images of a Paris that belie the subversive, sometimes pathological actions of its main characters, whose existences we are privy to through the action of the film and because of the properties of narrative film itself. The film has the easy-going, wan attitude of an early Jim Jarmusch movie combined with a quasi-documentary sloppy styled cinematography. Its main purpose, it seems, is to show us how our outward and anonymous appearances, particularly for those who live in large urban areas, mask an abundance of attitudes, objectives, obsessions, etc., and that who we are is not what we seem.
November 22, 2000Incredible acting with pensive directing and music that will move you. One should see this movie.
December 22, 1999More reviews at Amazon.com ...