It Started With Eve (1941)
Facts
| Directed by | Henry Koster |
| Cast | Deanna Durbin, Charles Laughton, Robert Cummings, Guy Kibbee and Margaret Tallichet |
| Theatrical Release | September 26, 1941 |
| Video Release | January 17, 1995 |
| Running Time | 90 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 096898200134 |
| Buy this item ... | 3 new from $24.49, 14 used from $2.84, 6 collectible from $19.98 |
About It Started With Eve
Among Deanna Durbin's happiest memories of Hollywood would be her two-film collaboration with actor Charles Laughton: 1946's minor Broadway-set comedy Because of Him and this imaginatively scripted gem that remains one of Durbin's best vehicles. In It Started with Eve, Deanna is enlisted to pose as fiancée to Robert Cummings, who's trying to please his (apparently) dying father Laughton. Avoid the Sandra Dee remake I'd Rather Be Rich, and enjoy the clever plot twists and three good tunes found in the original, which marked Durbin's last pre-war picture and the end of her golden age at Universal. --Steven Smith Amazon.com
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User Reviews
Average user review:| Deanna Durbin and Charles Laughton, an unlikely pairing in a movie, deliver the goods in It Started With Eve |
It Started With Eve begins with Jonathan Reynolds (Laughton), a rich old tycoon, apparently on his death bed. When his son, Jonathan Junior (Cummings), comes rushing in from a trip to Mexico, old Jonathan asks to meet young Jonathan's new fiance, who has come to New York with him, accompanied by her mother. Young Jonathan tries to contact his fiance, can't reach her, and believing his father is now dying, happens upon Anne Terry (Durbin), a hat-check girl. He rushes Anne to the side of his father and introduces her as his fiance. But the next day his father recovers. Now young Jonathan has his fiance he can't let his father meet, and his father wants to keep seeing Anne, thinking she's the fiance. The movie's an hour-and-a-half of mistaken identity and screw-ball encounters. Love finally wins out, but only after Laughton plays matchmaker and Durbin sings two or three songs. Along the way we have some clever lines ("The trouble with being sick is you have to associate with doctors!"), a good deal of skullduggery as Laughton contrives to smoke the cigars his doctor forbids him, and a fast pace set by director Henry Koster. Laughton, of course, overacts but gets away with it. He also has a comb-up hair style that, if he were a foot shorter, would let him pass for a munchkin. He does a lot of stooped-over shuffling, squinting from under his eye-brows, and little bits of business that we wind up hardly noticing when Durbin is around. She must have been quite a challenge for him. Durbin, at 20, is no longer the child star. She's well-nigh gorgeous, with a figure that could make staring illegal. She is natural and straight-forward, and completely self-assured. She's one of the few actresses who could get away with sniffing mightily or falling down next to a piano and make us smile just at her style. She was, in a word or two, sui generis. And for those who admire subversive scene-stealers, the movie has that master, Walter Catlett, playing Dr. Harvey. Catlett was in hundreds of films, usually playing blowhards or flustered shysters. He's a bit subdued here, but just the sound of his voice is enough to make me smile.
The movie is a bit of froth, expertly served. If it's a little dated, well, so am I. It's one of the six Deanna Durbin films on two DVD discs which make up the Deanna Durbin Sweetheart Pack. The picture transfer looks very good. There are no extras. December 12, 2007
| Just What the Doctor Ordered |
This film is very funny throughout. The charade is the most obviously humorous part, but other minor parts evoke laughter as well. The newspapermen are funny, Laughton's desire for a cigar is funny, and Durbin's tenacity when it comes to music is funny.
Durbin is outstanding in this film. She is realistic and mature, making her character quite believable despite the hair-brained situation. It makes it easy to understand why the old man would like her so much. She is sweet and sincere, a "good girl," but by no means an annoying one. She is also playful and likeably heartbreaking at times.
Laughton is almost unrecognizable at times in his old man makeup. He plays the amusing sick man to the hilt in a way reminiscent of Lionel Barrymore. He is subtlety cute and funny at the same time, and obviously very sensitive but honest underneath the playful exterior.
Cummings has good chemistry with Durbin and is effective in his emotional scenes. However, he takes a backseat to the other stars.
The music in Durbin's films is almost as important as the story. She sings three in this film. The first is "When I Sing" which sounds startlingly familiar to the "Once Upon a Dream" song from Sleeping Beauty. The process of preparing for the song is quite funny. The second song is a jumpy Spanish number. It shows off Durbin's many talents including that of vocal, piano, and energetic presence. The last song is "Goin' Home," a dreamy weepy song that has too obviously been dubbed.
Overall, this film is delightful, and although the music is adequate, it is not wonderful. For those who are not a fan of Durbin's operatic voice, this could be a positive aspect of the film, but for those who cherish it, it might be a bit disappointing. November 20, 2005
| Interesting and fun comedy drama with good music. |
| A Funny and Charming Classic |
Jonathan Reynolds (Charles Laughton), an irracible, rich and socially prominent tycoon, is on his death bed. His son Jonathan Jr. (Robert Cummings) rushes home from Mexico with his new fiance Gloria (Margaret Tallichet) to see him before he dies, an event the papers can't wait for. But when the old man wants to meet young Jonathan's bride to be, she and her hideous mother have left the hotel to go shopping. A desparate Jonathan talks coat check girl Anne Terry (Deanna Durbin) into pretending to be Gloria for $50.00. It is money she needs for train fare back to Shelbyville because she is abandoning her dreams of singing stardom, which are going nowhere.
A teary eyed Anne has a warm and instant connection with old man Jonathan, who adores her and makes an unexpected recovery thanks to her charm and warmth. This causes complications for Jonathan, who has to catch Anne at the train station twice in order to keep the charade going! The interplay between the two as they start bickering about it is priceless. Even when the old man overhears them and knows the truth he goes along because he can see she's the right girl for his son Jonathan Jr., and the daughter-in-law he wants.
Of course, Jonathan Jr. still thinks he wants to marry the real Gloria and there is a subplot about a party which will be attended by Stokowski and Heifetz, friends of the old man. Anne may finally get her chance to be noticed. But she is too sweet to go through with it and plans on returning home to Shelbyville, prompting the wise old Jonathan to hatch up a little plan of his own.
A night on the town where a delightful Durbin teaches Laughton to do the Conga in a swank nightclub is a particular highlight of this stellar film. Deanna's tearful rendition of "Goin' Home" is another. There is also an hilarious fight scene with Durbin and Cummings chasing each other all over the place that involves biting and pinching which will surely leave you on the floor!
This is one of Durbin's best films. She had a flair for light comedy and a warmth and sincerity to her acting. You can't miss this one if you love Durbin or enjoy a great comedy. This is a classy production and a chance to see for yourself the always wonderful Deanna Durbin, always and forever, "The Last Rose of Summer." April 9, 2005
| Tons of laughs and great music! |
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