Mr & Mrs Bridge (1990)
Facts
| Directed by | James Ivory |
| Cast | Paul Newman, Joanne Woodward, Blythe Danner, Simon Callow and Kyra Sedgwick |
| Theatrical Release | November 30, 1989 |
| Video Release | January 27, 1993 |
| Running Time | 126 minutes |
| MPAA Rating | PG-13 (Parental Guidance Suggested) |
| UPC Code | 026359053337 |
| Buy this item ... | 2 new from $9.99, 20 used from $2.70, 8 collectible from $10.00 |
About Mr & Mrs Bridge
With one daughter who wants to become an actress in New York, another who chooses the "wrong" kind of man to marry, and a son who quits school to join the Air Force during World War II, Mr. Bridge finds that his control over his family is slipping. Spanning the 1930s and '40s, the film presents nuances in how both the dramatic and the smaller moments are woven together. Weddings and arguments are no more important to capturing the essence of the Bridge family then are their moments of daily reverie.
A quiet film that succeeds in establishing its characters' intimacy, with themselves and each other, Mr. and Mrs. Bridge owes much of that success to Woodward. While Newman doesn't always seem comfortable as the stern ruler of the Bridge household, Woodward steals the film as the long-suffering woman whose identity is precariously built on her ascribed roles as mother and wife, taken for granted and often overlooked by the family she truly loves. --Natasha Senjanovic Amazon.com
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User Reviews
Average user review:| Mr.&Mrs. Bridge |
| It's a little to soft, but there is much to be said about the brilliant acting going on here... |
In other words; the film as a whole is not as strong as its stars.
`Mr. & Mrs. Bridge' tells the story of the Bridge family as they try and keep themselves together through the 30's and 40's. The father, Walter, is a controlling and almost domineering man. The mother, India, is lost within herself, not quite sure where her place is within her own home. The children all seem to rebel in their own ways; Ruth desiring to become an actress in New York, Carolyn desiring to marry a man beneath her socially and Douglas desiring to quit school and join the Air Force. These five individuals make up a very interesting yet ultimately average household during the World War II era.
James Ivory has a very crisp and elegant way of painting a film, and he executes this film beautifully as well. The only issue I have with `Mr. & Mrs. Bridge' is that it is so quiet and so smooth that it almost falls into the category of uninteresting at times. It can come off rather bland (it took me three sittings to watch it all the way through because I kept falling asleep). It's not that the film isn't interesting or that the characters aren't fleshed out wonderfully (and by god, the film is beautifully acted), it's just that the fluidity of the film is almost too relaxing. There is nothing sharp and jolting that shakes us in our boots. Even when drama is unfolding, as it does when family friend Grace Barron begins to lose her mind, it unfolds in such a serene manor that it feels less urgent than it probably should.
If one watches the film early enough in the day (I have a problem with starting films far too late in the evening) then one should be able to make it through in one setting.
While the overall construction of the film may cause our attention to wane a tad, it is important to note that the performances by the entire cast work extra hard to reel us back in. The two main stars are glorious, but even the supporting players all pull out all the stops here. Blythe Danner is such a brilliant actress, and her portrayal of Grace is really the most stirring in the entire film. She pops up at just the right moment to keep our attention firmly planted in the film. Kyra Sedgwick is darling as Ruth, but she is upstaged by Margaret Welsh who slinks into Carolyn with effortless grace. Robert Sean Leonard was one of those young actors who was always outshone by his co-stars (by Hawke in `Dead Poets Society' and by Bale in `Swing Kids') yet he always was consistently putting in a very good performance. This is no exception.
But yes, this movie belongs to Newman and Woodward. It is very understandable by Woodward was nominated for the Oscar this year, but it's astounding to me that Newman was not. If Woodward sets the emotional tone for the film, it is Newman who helps develop it. His nuanced portrayal of the very conservative Walter is so naturally commanding. Joanne is heartbreaking as India, and her emotional struggle throughout the film is wonderfully developed for us. They make such a splendid pair.
I will say that I was very unimpressed with the end of the film. It builds itself up as if it is going to have this harrowing climax (which really would have been welcome) and instead ends on a rather quite and reserved note. I can't really complain too much, for the film is wonderfully done and is really technically impeccable, it just lacks any real oomph. This is not a film one can watch over and over again, but the performances make it well worth at least one ride. I just wish that the approach to some of the material had been a little edgier maybe, a little more drastic so that it would have made a bigger impact. It could have been an A+ film, really, but will have to settle with a B from me. September 26, 2008
| Mediocre |
Overall, the film is far too anomic to retain much viewer interest- even for those fans of slower British PBS fare, and I'd love to see a director skilled at character films, like Steven Soderbergh, who's fond of remakes anyway, take a stab at this material. His 1998 film The Limey, is one of the great character portraits on film, and if he stayed true to the masterful books it would be something to see him do a pair of films based upon the books, that stayed true to what made them so great. Imagine, films based upon books so based on filmic techniques- conundra galore! September 14, 2008
| Mr and Mrs Bridge |
| Mr. and Mrs. Newman as Mr. and Mrs. Bridge |
You see the evolution of a marriage that always has commitment, and a bond of love, yet lacks the emotional component. As the story unfolds, the couple learn how important one is to the other despite years of taking one another for granted.
The couple is central to the tale but they aren't alone, children grow through many changes learning about life as do close friends. This is a fly on the wall look at an American family.
Don't miss it! Paul Newman and Joanne Woodward are simply wonderful when working together. May 1, 2007
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