Mahogany (1976)
Facts
| Directed by | Berry Gordy and Tony Richardson |
| Cast | Diana Ross, Billy Dee Williams, Anthony Perkins, Jean-Pierre Aumont and Beah Richards |
| Theatrical Release | November 30, 1975 |
| Video Release | January 1, 1998 |
| Running Time | 109 minutes |
| MPAA Rating | PG (Parental Guidance Suggested) |
| UPC Code | 097360883534 |
| Buy this item ... | 5 new from $22.64, 25 used from $1.96, 1 collectible from $14.95 |
About Mahogany
You know those movies that seemed really, really awesome when you were a teenager? Then, when you saw them again as a adult, you recognized them for the romantic dreck they always were? Mahogany exemplifies the breed. Made in 1975, Mahogany is mired in tedious melodrama that is not enhanced by a predictable and sexist ending. Diana Ross, a poverty-stricken young woman, pulls herself up by her camisole straps until she is at the top of the fashion world. Along the way she meets terrible people who want to use her. They break her heart. She has trouble bouncing back. One of those troubled people who seem to flock to Ross's unstable character is a deranged photographer, played with wild abandonment by Anthony Perkins. His psychotic performance gives this film its only energy. Ross remains unfulfilled until she finds love with inappropriate Billy Dee Williams, who shows none of his usual charisma. --Rochelle O'Gorman Amazon.com
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User Reviews
Average user review:| 1975 |
| a great guilty pleasure |
but her contemporary self finds a great home in her next film 'mahagony'. the first third of the film, the part that tony richardson was responsible for, is tight! it's a great set-up for a good hollywood-style romantic dramedy. ross' tracy is the consummate ambitious career girl and her swain brian is a fabulous foil for her in the body of the very sexy billy dee williams. it is easy to compare them to crawford and gable. the banter, his moustache and her wild and crazy clothes make the comparison that much easier.
not to mention, the first scenes featuring anthony perkins as sean, the photographer that discovers tracy and turns her in to a 1970s supermodel. had they let perkins stay gay, instead letting him go sexually frustrated and loony like he does, this film could have been another 'darling' and perkins could have maybe gotten away from his mold of playing maladjusted crazies.
many actors in the cast in smaller roles like nina foch, marisa mell and beah richards deserve so much more too because they give so much in the little bit of role they do have. but they're there and that's something.
sadly when the film reunites tracy with brian does it lose its heart and energy--save the restaurant scene. that's funny!
after this, ross gets arch and mannered, not to mention shrill. jean-pierre aumont is a sleepwalking disappointment as her italian(maybe)lover and benefactor. williams does a little sleepwalking too. and for that, it's hard to figure out why they're even brought back together. because black people needed a happy ending to a movie? i have a feeling our community would have seen this movie no matter what the ending.
because no matter how i may feel now with my highfalutin opining, i loved the film when it came out. i loved the clothes, the montages, ross' manic onscreen persona and the use of chicago as a backdrop. i know this is what turned my on to movies as much as sunday movie greats on channel nine in chicago. and man was i disappointed when 'theme from mahagony' lost the academy award. all of black america heaved a collective sob on that one. but in the name of love and justice, which song is a karoake classic now, keith carradine? August 24, 2008
| Mahogany Inspiring, the best! |
| Just As I Remember It |
| Love Beats All |
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