Falling Down (1993)

This film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut, and short-sleeved white shirt, gets stuck in traffic one day near downtown L.A. and proceeds to just walk away from his car--and then lose it emotionally. Everyone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across L.A. (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine Amazon.com

One of the most powerful films ever.

This movie is for everyone who ever wanted to lash out at the injustice around us.
I remember seeing this when it came out and the media was freaking out at this "angry white male"
Angry white male my angry white a$$.
How about Angry American regardless of race, gender, sexual orientation, religion, etc.....
This movie is for all of us!!!
All of us who work, pay our taxes and are tired of the people who refuse to do the same.
From the bat swinging at the overpriced convenience store.
To the thugs with the guns.
To the legal system that doesn't punish these people.
Was he psycho?
Yes.
Like I said, this movie is for all the people who DREAM of doing something like this, but knowing the difference between right and wrong, we don't.
Still, a guilty pleasure.
A movie that will stay with you long after it's over.
Thought provoking and more than worthy of a place in your collection.
Highly recommended, not for kids or those who are easily offended.
June 18, 2008

A "must have" for any movie collector

Take the hottest day of the year, a traffic gridlock, cracked pavements, dirty streets, unwarranted hostility and a general feeling of being short changed. Then add the frustrations of having an estranged wife and child, an extremely jaded and unbalanced mindset, and the frustration of being obsolete with no marketable skills. Set them against the decadent back drop of modern day LA where if you are 'Not economically viable,' you are of no use, and the result is Falling Down.

The tag line 'The Adventures of an Ordinary man at War with the Everyday World,' makes Joel Schumacher's masterpiece sound like the benign story of a working stiff with issues. However Falling Down is a dark and engrossing urban fable, a study into the mind of the disenfranchised and reminder to all that the removal of comfort is a lot closer than we care to believe.

Full of clichés, like the cop on his last day before retiring, Falling Down bravely meets all expectations of stereotypes, rather than challenging them, making for a realistic reflection of a failing society. Here, a man in extremis, without the feral cunning or killer instinct required for a life in the street, makes his way on anger and luck alone, somehow surviving to leave a paper chase of violence and destruction behind.

Relying heavily on symbolism (watch for the Stars and Stripes being knocked over) illustrating a flip side of America running parallel to the hunky dory world occupied by the successful, the over all message of 'No Matter, Never Mind,' is clear in this world where children play next to vagrants dying from AIDS and where Korean grocers can legally steal from the public with their overpriced goods.

Michael Douglas displays some hitherto unseen talent as the unbalanced D-FENS, as he casually totes gang weapons (complete with rubber bands on the grips) in his formal shirt and tie, does battle with store owners and comes up against fast food restaurants, homeless people, gangsters and Nazis. Robert Duval is equally brilliant as the desk jockey on his final day, determined to stop anyone else from being hurt, including the perp.

There is, of course, a small amount of Hollywood sentimentality thrown in for good measure, however the dynamics of such a strong narrative make this completely forgivable and it's possible to overlook this as a flaw given the film's overall strengths.

Praise surely has to go to Ebbe Roe Smith for writing one of the finest scripts ever to grace celluloid. Known for bit parts and cameos, who the hell knows who Ebbe really is? Look on IMDb to find out (if you're a geek like me) or release him into the ether if you don't care. The truth is, he's out there. The question is: Where's the next script?

On the whole, Falling Down is a powerful and dramatic indictment of American culture, societal decadence, and the failing values of the West. It's not for everyone and will most certainly offend some, but if approached with an open mind, will provide plenty of fuel for thought. It's a shame though that the DVD doesn't come with any extras (mine didn't, anyway) because there's so much to this film that you just want to know more and more.
March 9, 2008

Divorced, Going thru a child custody fight?

Falling Down DVD

Joel Schumacher's 1992 movie "Falling Down" is a chillingly powerful movie that seems to get often misinterpreted. Don't get the wrong idea, there definitely is substance to this movie--it's not just some kind of freak show.

Michael Douglas, in a spellbinding performance, plays William Foster, a man who totally collapses emotionally while stuck in traffic one morning. He ditches his car, leaving it right in the middle of the roadway, and begins an on-foot trek 'home' through the streets of Los Angeles. What follows is a day of extremely temperamental and violent behavior from Foster, lashing out against a Korean shop owner who 'won't make change', Latino gang members who accuse him of invading their territory, a fast food restaurant that's 'stopped serving breakfast', and a neo-Nazi gun shop owner who already has some frightening issues of his own.


Michael Douglas is clearly the perfect actor for the role of William Foster. Douglas' terrific knacks for subtlety and dry humor are key ingredients to making his character, despite all of his fits of violence, frighteningly sympathetic. It never appears that Foster derives any amount of pleasure or satisfaction from his violent reactions--it's as if he thinks he is merely 'bringing justice' to the inadequacies of everyday life.

We learn that Foster's ultimate destination is to return to his ex-wife's home for his daughter's birthday. We learn from the ex-wife (played by Barbara Hershey) that she has a court order against him from seeing her or the daughter. She admits that he never actually resorted to violence against her on the daughter, but that she "thinks he could".

Robert Duvall plays Prendergast, an about-to-retire cop. Despite the fact that it's originally intended to be Prendergast's last day on the job, he becomes immersed in the trail being left by Foster. The two finally encounter each other in the movie's powerful 'big climax'--by this time, Foster has definitely reached the point of insanity, or as he says in his own words a bit earlier on in the film, "past the point of no return".

Michael Douglas makes it seems as though this kind of devastating emotional collapse could easily happen to just about any 'average Joe', and that's where a great deal of the film's power lies. "Falling Down" is a thought-provoking movie that really stays with you.



Highly recommended for fans of Michael Douglas and any man who has been through a divorce.

Gunner January, 2008

January 29, 2008

Gotta love it.

I'm not a white collar worker but man can I indentify:) Great movie, seen it more times than I can count. December 25, 2007

An interesting movie with a protagonist we can identify with.

I've always found this to be an intriguing movie, and though it is no deep and profound commentary on our culture and behaviors, it does, nonetheless, touch on an issue of real importance in our society: the issue of social interaction between strangers, and how it can go horribly wrong. Bill Foster, the main character, is clearly presented in this movie as the bad guy. He's emotionally unstable, demonstrably capable of extreme violence, and judging by his relationships with his ex-wife and his mother, not completely in touch with reality. Nevertheless, as so many other reviewers here have noted, despite the fact of his bad guy status, one can't help but feel sympathetic with him. There's really no mystery to this; we've all been faced with rude store clerks, snotty fast food cashiers, supercilious rich people, and so forth. Some of us have even been face to face with violent, dangerous punks. And probably all of us have fantasized about punching the smug, sneering face of the arrogant jerk in front of us in such situations. Bill Foster is a sympathetic character because even though he overreacts violently (although I wouldn't call his response to the gang thugs, or the neo-nazi overreaction, as his life was truly threatened in those cases), in each case he IS genuinely provoked. Not one of the strangers he confronts thoughout the course of the movie would have had anything to fear from him if they had simply treated him courteously and respectfully.

This movie ought to be taken as just as much a warning about the potential consequences of certain behavior (in this case, rudeness) as another of Michael Douglas' movies, "Fatal Attraction" was about adultery. It's never a bad idea to treat others with the same respect and courtesy you would want for yourself. You never know what the person in front of you at any given moment is going through, or what that person may be capable of. And although this is a movie, a work of fiction, we've all read about violent road rage encounters, and other incidents arising from seemingly the most trivial provocation. Just the other day I read about someone shooting someone in line at a convenience store because the person ahead of him was taking too long to make a purchase, and responded rudely when urged to speed things up. Don't go around being rude to people. The stranger you snap peevishly at may just become angry enough to knock your block off. And quite aside from fear of what others might do if you irritate them, being polite is simply the right thing to do. And it costs you nothing, so why not just be polite to people?

In this movie, Bill Foster throws off the restraint most of use every day when faced with such provocations and irritations, and soon finds himself the object of a manhunt by the police. Even though he self-destructs in the end, and even though we are presented (in the form of Detective Prendergast) with a character who manages to cope with just as much stress and bad human behavior as Foster, we still feel a twinge of sympathy for Foster, right to the very end. October 20, 2007

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